Artist Lessons
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By John Paul Jones Published
Zeppelin’s power lay in their timing, the low-end giant explains, but there was more in the method to the band's madness

By Jared James Nichols Published
Taking what he learned from Leslie West, Eric Clapton and Paul Kossoff, Jared James Nichols shows us just how to work the pocket and give our playing the personality it needs

By Joe Bonamassa Published
Set your phone on silent, your brain on shuffle. JoBo has a blues lesson coming in hot

By Cory Wong Published
The kingpin of funky strumming defers to the O.G. – as Wong explains what he learned from the Chic master

By Richard Barrett Published
Stay cosmic with this lesson in how Carlos Santana took the blues as practiced by B.B. King and Peter Green, plus the new radical rock styles of the '60s, and put his signature spin on them

By John Paul Jones Published
They may have played a huge role in bringing heaviness and triple-digit onstage decibel counts to rock, but as bassist John Paul Jones explains, Zeppelin were also masters of silence

By Jared James Nichols Published
Albert King played upside down, in a weird tuning, and influenced SRV and Hendrix alike, and he did it without a pick. So it's no surprise Nichols is a huge fan – he breaks down King's magic

By Sue Foley Published
Foley returns with four ways you can freshen up those blues licks and assert your personality upon the material

By Joe Bonamassa Published
Eric Johnson's playing is inspiring but bamboozling. How does he sound so fluid? Well, Joe Bonamassa has some thoughts (and four examples) on how we can nail Johnson's style
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