Blues Legend Otis Rush Dead at 84

(Image credit: Tom Copi/Michael Ochs Archives/Getty Images)

Seminal Chicago blues guitarist Otis Rush died on Saturday from complications of a stroke he suffered in 2003. Rush was 84 years old.

Masaki Rush, his wife, released a statement on his official website: “Known as a key architect of the Chicago ‘West Side Sound' Rush exemplified the modernized minor key urban blues style with his slashing, amplified jazz-influenced guitar playing, high-strained passionate vocals and backing by a full horn section. Rush's first recording in 1956 on Cobra Records 'I Can't Quit You Baby' reached #6 on the Billboard R&B Charts and catapulted him to international acclaim. He went on to record a catalog of music that contains many songs that are now considered blues classics.”

“See, when you play lefty, (upside down right-handed guitars), you’re pulling that vibrato down to the floor,” he said. “That makes things a lot easier in terms of pressure and control. It only makes sense. It’s a lot less stress to tear a house down than to build it up, right?

“Pulling down makes more sense, to me anyway, and I can work it stronger and get it to sustain better. ‘Course, besides all that, I kinda like doing things backwards, anyway.”

Another Rush song, the Afro-Cuban-tinged “All Your Love (I Miss Loving)” was covered by everyone from Stevie Ray Vaughan, John Mayall and Buddy Guy to Aerosmith, Gary Moore and Steve Miller. Carlos Santana once pointed out that “Black Magic Woman,” written by Fleetwood Mac’s Peter Green and made famous in America by Santana, owned more than a debt of gratitude to “All Your Love” in its rhythm.

But perhaps the most famous cover of an Otis Rush song is Led Zeppelin’s version of “I Quit You Baby,” which appeared on their 1969 self-titled debut, and then again in live form on 1982’s Coda.

"[A]ll those English cats, they were just babies when this was going down, and it hit them hard,” Rush told Vintage Guitar. “You could say that music changed all of their lives. But I was there, man. I saw it and felt it and set out to capture that ability to transform your life through song.” 

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.