“When Bob Dylan really did go electric, nearly 60 years ago, this Fender Telecaster was one of his most crucial weapons”: Bob Dylan and Robbie Robertson's 1965 Fender Telecaster fetches a whopping $650,000 at auction
The 1965 Fender Telecaster was used by both Bob Dylan and Robbie Robertson throughout their careers, and played on stage by Eric Clapton
Bob Dylan and Robbie Robertson's 1965 Fender Telecaster has been sold for $650,000 at auction. The guitar has a long history, having been owned, recorded, and stage-played by Robbie Robertson of The Band and Bob Dylan, serving as the catalyst for his electric era.
Robbie Robertson of The Band originally bought this Telecaster after suggesting it could be a good fit for Dylan when he was experimenting with integrating the electric guitar into his performances. Dylan took Robertson at his word, and used this guitar throughout 1965, playing it on 1966's Blonde on Blonde, and using it as his guitar of choice on his 1966 world tour.
This guitar was also present at Dylan's historic gig in Manchester on May 17, 1966, when Dylan was heckled and called “Judas” by a concertgoer for going electric.
Dylan famously replied, “I don't believe you...You're a liar!” before turning to his band and saying “Play it fucking loud,” right before launching into Like A Rolling Stone. This incident was caught on film, and this 1965 Fender Telecaster happened to be slung around Dylan's shoulder.
Rock journalist Alan Light commented, “‘Dylan goes electric’ is still used as shorthand any time an artist follows his own path and defies the audience’s expectations. When Bob Dylan really did go electric, nearly sixty years ago, this Fender Telecaster was one of his most crucial weapons.”
From his end, Robertson used it when writing Chest Fever, Caledonia Mission, and the opening guitar part of The Weight from The Band's 1968 album Music from the Big Pink. It was also his guitar of choice for The Band’s 1970 Stage Fright album. In 1974, Robertson handed the Tele over to Eric Clapton after Clapton took the stage with The Band.
The guitar's story came full circle when Dylan made a surprise appearance at The Band's New Year’s Eve performance at New York’s Academy of Music. He used this same Telecaster, a moment captured on The Band's Rock of Ages album.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
The Tele’s body was originally finished in black, before being stripped to its current natural state by Robertson in 1970. For some time, the guitar had its original neck pickup and pickguard. However, it was fitted with a new three-ply white-black-white pickguard and a chrome-covered Gibson patent number humbucker right before The Band's 1971 Rock of Ages performance.
Robertson and Dylan's Telecaster was initially expected to fetch between $500,000 - $700,000. It was sold yesterday by Julien's for $650,000. Eric Clapton's 'Tears in Heaven' guitar, and John Lennon's 'Help!' Framus 12-string were sold at the same auction, the latter fetching a record-breaking $2,857,000.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.
“I used my P-Bass in the studio and my Jazz Bass live, because it projected a little louder”: Originally recorded as a B-side, this riff-driven blues became a Jimi Hendrix classic – and bassist Billy Cox played a pivotal role
“There was a time you wouldn’t have touched a Superstrat, at least in my world – that was very illegal. It’s cool to be able to let go of those old feelings and those silly rules”: How Chris Shiflett learned to love his inner shredder