“A sound I’ve used many times on all sorts of tracks going back years”: David Gilmour demonstrates his trademark “swell” technique – one of the secrets of his emotive soloing approach
The Pink Floyd guitarist pinpoints the tracks from his upcoming album, Luck and Strange, that he used the swell technique on
The master of delays, David Gilmour, has provided more insight into how he achieves the sound he describes as “swell” – a multi-delay effect that somewhat mimics a synth pad.
“It's a sound I call 'swell', because it's a swelling sort of sound. A sound I've used many times on all sorts of tracks going back years and years and years,” says Gilmour in a new video breaking down his guitar techniques.
“It's sort of slightly orchestral. It's created with delays but you don't hear the impact note in theory.”
While Gilmour doesn't specify the delay pedals he uses to create the swell, the technique he demonstrates in the video employs the Strat's tremolo arm for a more pronounced effect, plus an Ernie Ball volume/expression pedal. In this particular case, Gilmour uses a Fender Strat reminiscent of his iconic Black Strat.
In a 1993 Guitar World interview, Gilmour spoke about using the Binson Echorec machine as his go-to delay unit up until 1977 and the Animals era. “The Binson was an Italian made delay unit. It was strange, because it didn't utilize tape loops. Instead, it used a metal recording wheel.
“You could get some wonderful delay effects that aren't attainable on anything that's been made since One of these Days [from 1971's Meddle] evolved from some of my experiments with the Binson, as did Echoes [also from Meddle].
“One day, Roger decided to take some of the techniques that I was developing and try them out himself on bass. And he came up with that basic riff that we all worked on and turned into One of these Days.”
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
In the new video interview, Gilmour reveals that he uses the swell technique on his new album, Luck and Strange, specifically on the tracks Scattered and Black Cat.
Luck and Strange is Gilmour's first new material in nine years and features a new producer tearing up the rulebook. It's set for release on September 6 via Sony Music.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.
“He said, ‘That was a great take, but would you like to do it again? …Are those P-90 pickups?’” That time Tonight Show host Jimmy Fallon was a total guitar nerd and solved a pro player’s persistent feedback problem in minutes
“Trying to emulate these different players was a challenge. Chris Poland to Marty Friedman is like night and day. But that’s what excites me”: Glen Drover grew up idolizing Megadeth and King Diamond’s guitar heroes – then he had to step into their shoes