Megadeth’s David Ellefson: “There are riffs on this new record that are way harder to play than anything on Rust in Peace”
The thrash bassist details his and Dave Mustaine’s “insanely progressive” approach to the band’s Dystopia follow-up
Anticipation is reaching fever-pitch for Megadeth’s long-awaited follow-up to 2016’s Dystopia, and bassist David Ellefson has added fuel to the flame in a new interview with Metal Rules, where he praises the quality of riffery being produced by the legendary thrash outfit.
Asked about how the new material compares to the band’s previous releases, Ellefson said: “It’s definitely not in the Super Collider vein. I think it’s Dystopia, and even way past that. It is a very technically challenging record. Dave [Mustaine, frontman] and I agree that there are riffs on this record that are way harder to play than any of the stuff on Rust in Peace. It is an insanely progressive record.
Ellefson attributes the advanced levels of writing to new drummer Dirk Verbeuren.
“I remember when I was a kid and heard [Rush’s] Geddy Lee and Neil Peart play something inhumanly impossible - I had that same feeling now on our record with Dirk Verbeuren. It lit me up. I was, like, ‘Holy shit! This is a moment that I have never felt or experienced until now.’
“Who knows? Maybe I needed to be 55 years old to experience and accomplish it with a seasoned guy like Dirk. That’s the emotion, fucking fire, and spirit that I have around this new record.”
The record will also mark the second album recorded with lead guitarist Kiko Loureiro, who recently teamed up with ex-Megadeth shredder Marty Friedman for new instrumental, Imminent Threat.
Dave Mustaine appears on the cover of the current issue of Guitar World, along with Trivium’s Matt Heafy, In Flames’ Björn Gelotte and Lamb of God’s Mark Morton.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
The groups’ joint North American tour has been postponed until 2021 due to the coronavirus pandemic.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism from Cardiff University, and over a decade's experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“I couldn’t be happier to come back after all these years”: Pantera’s Rex Brown rejoins Spector’s artist ranks – less than a year after dropping his first Epiphone signature
“I used my P-Bass in the studio and my Jazz Bass live, because it projected a little louder”: Originally recorded as a B-side, this riff-driven blues became a Jimi Hendrix classic – and bassist Billy Cox played a pivotal role