Latest about Led Zeppelin
The key element that ties together three Led Zeppelin classics
Zeppelin’s power lay in their timing, the low-end giant explains, but there was more in the method to the band's madness
Why The Lemon Song is John Paul Jones’ finest moment in Led Zeppelin
The third cut from 1969's Led Zeppelin II is considered the peak of John Paul Jones’ melodic, harmonic, and rhythmic brilliance
Terry “Superlungs” Reid, the guitarist, singer, and songwriter who forged his own path after turning down Led Zeppelin and Deep Purple, has died aged 75
Reid toured with the Rolling Stones, Cream, Jethro Tull, and Fleetwood Mac, released seven studio albums, and was even a session player for the likes of Jackson Browne and Bonnie Raitt
Jimmy Page settles decades-long Dazed and Confused lawsuit with original songwriter, Jake Holmes
The Yardbirds, and later Led Zeppelin, reworked Jake Holmes’ 1968 song for their own ends, and Holmes believes he wasn’t properly credited
“It was painful for me to listen to Ian Anderson’s voice. I felt for him a lot”: Dave Pegg on why he quit Jethro Tull, beating Metallica to a Grammy, gigging with John Bonham and working with Nick Drake in a smelly squat
The proud owner of a broken Grammy award is regarded as a revelation in folk rock with Fairport Convention – but he only played bass that way because he didn’t know what else to do
Hands-on with the ultimate Led Zeppelin amps – Sundragon’s painstakingly accurate replicas of the guitar hero’s elusive backline
It’s not guaranteed that they’ll make you sound like Jimmy Page, but Sundragon’s fastidiously accurate replicas of two of his favorite amps may well get you close
John Paul Jones explains one of the key ingredients of some of Led Zeppelin's greatest riffs
They may have played a huge role in bringing heaviness and triple-digit onstage decibel counts to rock, but as bassist John Paul Jones explains, Zeppelin were also masters of silence
Led Zeppelin's John Paul Jones explains what people get wrong about his Black Dog riff
In his inaugural Guitar World lesson column, authored in 1996, the legendary bassist also revealed why he used pick to lay the song down in the studio – and why he later would use an eight-string bass to play it live
