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“The pickups are so often the Achilles heel of more affordable guitars, and that’s no different here”: Cort Space G6MS review
By Phil Weller published
Cort has been making headless guitars for Strandberg for years, so has its learning translated into a must-have budget axe, or is there work to be done?

"A successful first foray into amp and effects modeler floorboards for the firm, which has a really bright future in the space": Blackstar ID:X Floor One review
By Matt Owen published
Blackstar becomes the latest in a long line of companies to develop a floorboard-based amp modeler rig solution – and it's gone about it in the perfect way

"Easily one of the most desirable electric guitars under $1,000 that I've played": Eastman FullerTone Offset '62 review
By Rob Laing published
The latest FullerTone design might just be the best yet, and a big statement from Eastman

“Surely the most vicious artist series model in the Gibson catalog”: Gibson Mark Morton Les Paul Modern Quilt review
By Jonathan Horsley published
Lamb of God riff-master Mark Morton's Les Paul has been years in the making, subject to brutal road-testing, featuring a hot custom-wound humbucker pairing, but it's finally here

“In a world where streaming is king and few people own the music they listen to, the BandBox Solo’s ability to conduct stem separation from a Bluetooth source is incredibly useful”: JBL BandBox Solo review
By Pete Emery published
With the ability to separate stems from a streamed audio source over Bluetooth and a host of useful tools, the JBL BandBox Solo could be a game-changer for home practice

“It feels like you’re plugged straight into an amp, rather than a pedal”: ThorpyFX x Lazy J The J review
By Trevor Curwen published
ThorpyFX team up with Lazy J to put the amp brand’s signature take on the Fender tweed sound into a pedal

“Sub-$500 guitars built with some degree of care and expertise”: Epiphone J-45 Studio and J-200 Studio review
By Neville Marten published
A brace of familiar Gibson acoustic designs bearing the Epiphone brand name and a price tag of around one tenth of an original

“A match for boutique offerings from smaller high-end manufacturers”: PRS DGT 15 Combo review
By Martin Smith published
The latest in the DGT family is this handsome 15-watt combo. And its sounds match its good looks…

"There’s clarity where you want it, and a glorious wall of noise when you need it": Laney Black Country Customs Billy Corgan Supergrace Loudpedal review
By Daryl Robertson published
Laney distills Billy Corgan's legendary rig into a pedalboard-friendly amp that goes way beyond Smashing Pumpkins tones

"A triumphant first all-analog pedal from Strymon, which will inject your rig with some impressively usable and versatile drive tones": Strymon Fairfax Class A Output Stage Drive pedal review
By Matt Owen published
Strymon's unexpected departure from its usual DSP-led design is a recreation of Randy Bachman's Garnet Herzog – and the result is something rather stellar
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