Harley Benton Twoface review By Alex Lynham published 15 May 23 Meet the no-nonsense, one-stop blues box that partners TS-style drive with tremolo for a measly 85 bucks
PRS Sonzera 20 Combo review By Paul Riario published 12 May 23 Reworked, redesigned, reinvigorated, PRS's versatile combo returns – and it's a bona-fide 20-watt powerhouse of tone
Takamine GD34CE BLK review By David Mead published 11 May 23 Based on the Takamine used by Bruce Springsteen and Bon Jovi, the GD34CE has all of its stablemates' classic good looks on a budget. But how does it sound?
Crazy Tube Circuits Unobtanium review By Trevor Curwen published 9 May 23 Dumble and Klon-inspired tones united in one awe-inspiring overdrive pedal
Walrus Audio Melee review By Trevor Curwen published 8 May 23 Ambient distortion or distorted ambience? It’s all here in a single box and controlled with a wiggle stick!
Ashdown MF484 2.N review By Nick Guppy published 5 May 23 Ashdown’s new 30-watt head features Two Notes’ integrated speaker emulation and reactive load, making it a powerful tool for live and studio
Eventide H90 Harmonizer review By Trevor Curwen published 4 May 23 A step up from the H9, Eventide’s latest Harmonizer multi-effects unit lets you use two algorithms at the same time – with spectacular results
Marshall Bluesbreaker, Shredmaster, Drivemaster and Guv'nor review By Trevor Curwen published 3 May 23 The well-loved, long-gone classics have returned as the Vintage Reissue Pedals series – complete with their original circuitry
Aguilar Agro Bass Overdrive review By Nick Wells published 28 April 23 Back with a brand-new look, the Agro aims to cram Aguilar’s AG 500 overdrive channel into something you can stomp on
Browne Amplification The Fixer and The Carbon review By Paul Riario published 26 April 23 Two pedals that exemplify Browne's excellence: The Carbon is a Bluesbreaker-inspired drive based on the Protein pedal's “Blue” channel, the Fixer a super-useful buffer/boost
Alvarez AD30 review By Richard Blenkinsop published 26 April 23 An affordable solid-topped dreadnought that punches above its price point
Epiphone El Capitan J-200 Studio Bass review By Nick Wells published 25 April 23 Epiphone is aiming high with this new electro-acoustic bass
Line 6 Spider V MKII 30 review By Chris Corfield published 25 April 23 We find out how the practice amp veteran compares to the modern competition
Abasi Concepts Emi 7 Master Series review By Chris Gill published 25 April 23 Built for comfort, built for speed, built for players chasing down new horizons in guitar playing, the latest model from Tosin Abasi's brand offers a thrilling futuristic ride
Cort KX700 EverTune review By Paul Riario published 24 April 23 “Siri, show me a modern S-style that is spec’d up for metal and has state-of-the-art hardware that keeps it in tune all of the time…”
C9 Custom Ventura Standard review By Dave Burrluck published 21 April 23 A new guitar-making venture in the North East of England promises boutique-like style at everyday prices
Rapier 22 and Saffire review By Dave Burrluck published 19 April 23 Rapier launched in 2022 with the well-received 33 model. Can the ’60s stylists hit the target again with these two new additions for 2023?
VegaTrem VT2 Telecaster Tremolo review By Dave Burrluck published 17 April 23 Unless it’s a Bigsby, whammy bars on Telecasters have been considered close to sacrilegious. Until now...
PRS SE McCarty 594 Singlecut and SE McCarty 594 Singlecut Standard review By Dave Burrluck published 14 April 23 PRS’s advance on the SE front continues with a pair of Singlecuts, with or without a maple top, and plenty of vintage references. We take ’em for a spin
Warm Audio Centavo Professional Overdrive review By Jonathan Horsley published 14 April 23 If it looks like a Klon and sounds like a Klon, is it really a Klon? Not at this price...
