Martin SC-13E review By Dave Burrluck Martin’s big launch for 2020 is a very un-Martin-style ‘crossover’ guitar. A designer’s folly or the future?
Line 6 POD Go review By Chris Gill Line 6 takes its multi-effect modeling for the masses to the next level with this HX-equipped floor-based unit
Ibanez Premium SR2405W review By Mike Brooks A sensibly priced five-string that delivers a serious punch
PRS S2 McCarty 594, S2 McCarty 594 Singlecut & S2 McCarty 594 Thinline review By Dave Burrluck PRS’s trio of S2 594 models were a big hit at this year’s NAMM Show. How do they fare in the flesh? Very well…
Boss Waza-Air review By Paul Riario Wireless headphones with built-in amps, effects and 3D realism - has Boss just designed the best practice amp ever?
Empress Effects Zoia review By Rod Brakes This innovative module-based pedal could change the way you think about effects…
IsoAcoustics Stage 1 Board review By Paul Riario Tighten up your amp's low-end and improve its clarity with this smart all-in-one speaker isolator
Epifani DIST2 2x10 Cabinet review By Joe Daly The DIST2 uses all of Nick Epifani's cab-building experience for a lightweight 2x10 with some serious power behind it
Walrus Audio Mako D1 High-Fidelity Stereo Delay review By Trevor Curwen A new range from Walrus kicks off with a compact but potent delay
Martin D-X2E & 0-X1E review By Neville Marten For 2020, Martin brings sharper looks, improved playability, superior tone and a welcome slice of charm to its affordable X Series guitars
MXR M267 Octavio Fuzz review By Trevor Curwen Jim Dunlop magics some Hendrix octave fuzz mojo into an MXR enclosure to rebirth a pedalboard classic for 2020
PRS S2 35th Anniversary Custom 24 review By Dave Burrluck PRS celebrates a landmark year with an S2 that promises expanded sounds for half the price of the Core Custom
Eastman Romeo review By Dave Burrluck A smart semi-hollow drawing on Eastman's archtop heritage - it could well be love at first sight for the Romeo...
Audient EVO 4 Audio Interface review By Alex Wilson Promising unique, user-friendly innovations, does the EVO 4 stand out in an already-crowded entry-level recording interface market?
Orange Little Bass Thing review By Mike Brooks Orange's latest bass amp boasts a readily available thunder that defies its modest physical dimensions
Korg Nu:Tekt OD-S Overdrive review By Rob Laing The Nu:Tekt kit offers a DIY overdrive pedal project for tonehounds - but is it worth your time and money?
Orange Terror Stamp review By Rob Laing The tiniest Terror yet is designed to sit on your pedalboard but does it have the power to replace your backline?
Boss RC-10R Rhythm Loop Station review By Trevor Curwen Does this compact looper pedal with complex rhythms provide the ultimate creative platform?
Rickenbacker Al Cisneros 4003 AC review By Joel McIver Sleep and OM bassist Al Cisneros is one a very short list of bassists with a signature Rickenbacker, and it is smokin' hot!
Fender American Acoustasonic Stratocaster review By Dave Burrluck A year on from the groundbreaking Acoustasonic Tele, the Big F releases this hybrid acoustic/electric Strat. But is it just a new shape or a new voice?
