Blues & Jazz Latest about Blues & Jazz How to Play This Famous, Billy Gibbons-Esque Blues Turnaround By Guitar World Staff published 16 May 18 Lessons Using One-String Scales to Break Out of Box Patterns By Matt Warnock published 8 May 18 Lessons Double-Time Soloing Over a Laid-Back Groove By Jimmy Brown published 25 April 18 Lessons Shaping Up: Dominant Double Stops for Guitar By Matt Warnock published 24 April 18 When learning how to play jazz guitar, we often spend time working out scales, arpeggios and single-note riffs, as well as chord shapes and common progressions. Lessons Try This Gary Moore-Inspired Riff by Doug Aldrich By Doug Aldrich published 4 April 18 Techniques How to Play Peter Green's "Oh Well" Intro By Jackson Maxwell published 3 April 18 Lessons Finger Twisters: Re-Thinking Solos Over the I IV V Progression By Richard Rossicone published 27 March 18 Lessons Five Steps to Walking Basslines on Guitar By Matt Warnock published 21 March 18 Lessons Employing Chromatic Passing Tones to Connect Phrases and Fretboard Positions By Andy Aledort published 20 March 18 Lessons Three Blues Riffs Every Guitarist Should Know By Guitar World Staff published 16 March 18 Lessons 1 2 3 4 5 6 7 8 9 Archives Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsors MORE FROM GUITARWORLD...1“A vast universe of distortion and fuzz effects and much more”: SOMA Harvezi Hazze review2Nile Rodgers on what made Bernard Edwards a bass genius – and the making of some iconic 4-string moments3Ola Strandberg ushered in a new era of headless guitars – but no one is doing it like his own company4Led Zeppelin's John Paul Jones explains what people get wrong about his Black Dog riff5A breakdown of Neil Young's wild and fascinating live rig
How to Play This Famous, Billy Gibbons-Esque Blues Turnaround By Guitar World Staff published 16 May 18
Shaping Up: Dominant Double Stops for Guitar By Matt Warnock published 24 April 18 When learning how to play jazz guitar, we often spend time working out scales, arpeggios and single-note riffs, as well as chord shapes and common progressions.
Finger Twisters: Re-Thinking Solos Over the I IV V Progression By Richard Rossicone published 27 March 18
Employing Chromatic Passing Tones to Connect Phrases and Fretboard Positions By Andy Aledort published 20 March 18
