Latest about fender telecaster
“A high-octane character that’s occasionally stubborn, but it stands out from the crowd”: Fender 75th Anniversary American Professional Classic Cabronita Telecaster review
The Telecaster’s “asshole cousin” trades traditional twang for a boutique growl that looks as sharp as it sounds
How Travis Barker-championed pop-punk heavyweight KennyHoopla found his dream Tele via a shady Facebook Marketplace deal
Lightweight, loaded with a pair of P-90s, and adorned with a photo of his late childhood cat, the Tele has become the singer-songwriter/guitarist's closest six-string companion
This new 75th Anniversary Telecaster features a genuine Fender first – and it could change the face of Teles to come
The Fastlane humbucker is Fender’s first-ever in-house rail humbucker – and you should expect to see a lot more of it…
Inside Fender’s B-Bender revival – and the making of its very first in-house design
Fender’s Chief Engineer Tim Shaw lifts the lid on the making of the John Osborne Telecaster, the challenges around creating a B-Bender for a heavy-handed player, and the freedom that comes with designing hardware in-house
Why Leo Fender’s favorite custom color finish still drives guitarists wild
As this small selection from a very large vintage collection proves, Candy Apple Red looks fantastic on any Fender guitar – but the process of applying it changed over the years
Why the Fender Telecaster is Sheryl Crow's long-time guitar “sidekick”
The celebrated singer-songwriter says she can “play the heck out of my piano” but gravitated toward the Tele due to the staying power of a great guitar riff
Fender joins campaign to support LA wildfires relief with unique Custom Shop guitars built from wood reclaimed from the disaster
The Altadena Telecaster is a Custom Shop dream machine made from reclaimed wood from a Deodar cedar tree that was damaged in the Eaton fire
The making of Jim Root’s Telecaster, the guitar that brought Fender into the modern age
Some metal players prefer the traditional high-performance brands. Others favor medieval shapes. Not Root. The Slipknot guitarist wanted something old-school, classy… indestructible
How Moody Blues bassist John Lodge found another gear with a Fender double-neck that was half P-Bass/half Telecaster
Having anchored the Moody Blues since the ’60s, the late John Lodge had a VIP seat for the Austin Powers-like era that made London the capital of cool
Gary Moore’s 1963 Telecaster is modded and thrashed to death – and it’s got a tone pot that behaves like a wah
Before it was auctioned for just under $69,000, we take a closer look at one of the lesser-spotted electrics in Moore’s collection, with Bonham’s Steve Clarke sharing its story
