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How a $10k acoustic build put the loud into Lowden – with exotic tonewoods and faultless construction
By Dave Burrluck published
Meet the high-end cutaway acoustic of your dreams that looks a million dollars and costs more than $10,000 – another occasion when Irish luthier George Lowden has raised the bar

Jared James Nichols spotted a pedal builder in the audience at one of his gigs – then handed him his guitar mid-solo
By Phil Weller published
The impromptu guest spot was full of high notes

A B.B. King biopic is on the way – and it will chronicle the blues legend's life, legacy and Lucille
By Phil Weller published
The film will chart B.B. King’s rise from extreme poverty to global stardom – and his life-long partnership with his iconic ES-355 will be at the heart of it all

John Mayer names his favorite solo with Dead & Company – and plays it live on air
By Matt Owen published
Mayer was asked the question during his Life with John Mayer SiriusXM show, and he just so happened to have a Silver Sky in hand to answer it

Bootsy Collins' first Fender Jazz Bass has just been sold at auction – and shot past its estimate
By Janelle Borg published
James Brown bought the bass sometime in 1970 for his young protégé, William Earl Collins, better known as Bootsy Collins, and it would go on to be played by another one of his bassists, Fred Thomas

Buddy Guy recalls the first time he met Jimi Hendrix
By Janelle Borg published
The blues veteran reflects on having Hendrix in his audience, way back in the late ’60s

How Ritchie Blackmore came across an obscure string mod that introduced him to a whole new sound – and why it didn’t work for him
By Jonathan Horsley published
Burton proved it was possible to use banjo strings on guitar, but Blackmore’s early adventures with the hack got mixed results

“A tighter, louder and gutsier tone from an already stellar-sounding amp”: Bad Cat Mod Shop Black Cat 30 review
By Martin Smith published
Remixed and refreshed by the late, great amp-guru Mark Sampson, this Black Cat has two more tubes, 10 more watts and a whole new voice

Vernon Reid on the guitarist he believes is massively underrated – even though he kept “the Hendrix voice” alive
By Janelle Borg published
In a chat with Guitar World last year, Reid even insisted that this guitarist's “continued non-acknowledgment as a near direct tonal descendant of Jimi Hendrix continues to this day”
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