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Fender Japan doubles down on its newfound affinity for sandblasting by putting an irresistible spin on its black-out Hybrid II models
By Matt Owen published
Fender's experimental branch introduced some sandblasted Hybrid II instruments earlier this year – but they've been trumped by these stealthy designs, which all flaunt that unusual finishing technique

“World-class... It just feels like a vintage classic that never was”: Daniels Gravitas review
By Dave Burrluck published
A fascinating reimagining of Gibson’s Firebird, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound…

The history of the ’60s British blues boom – the movement that carried a tidal wave of guitar heroes across the Atlantic
By Denny Ilett published
With the death of John Mayall in July, we lost one of the architects of the '60s blues boom that transformed Britain’s music scene and restored America’s blues guitar pioneers to their rightful place. Here's how a grassroots scene changed the world

How Meshuggah’s Fredrick Thordendal changed the face of metal
By Charlie Griffiths published
One of the most influential guitar players of his generation, Thordendal’s low-end, rhythmically complex assaults have changed the shape and sound of metal

How Allan Holdsworth reinvented the way we approach the electric guitar
By Nick Mellor published
This in-depth masterclass in the fusion icon’s virtuoso style is for moderate to advanced players ready to level up their legato chops, outside playing and minor chord vocabulary

Why Fender chose the Meteora over the Jazzmaster for its American Ultra II series
By Matt Parker published
The Jazzmaster was notable in its absence from the new Ultra line-up, now, Fender’s Allen Abbassi explains why it chose to include the Meteora in its place

Gene Simmons on why technical skill doesn't really matter
By Matt Owen published
The Kiss bassist values memorable music over displays of virtuosity – and singled out jazz to hammer home his point

Mark Hoppus charts his bass origin story, embracing amp modelers and switching from Ernie Ball to Fender
By Michael Astley-Brown published
In a rare interview, the blink-182 bassist shares his tone secrets, the bassline he still struggles to play, and how Ned’s Atomic Dustbin changed the way he approaches the bass

Gretsch honors Depeche Mode's Martin Gore with a signature based on one of his prized vintage guitars
By Matt Owen published
The electronic rock pioneer's lifelong affinity for Gretsch guitars comes full circle with a Two Tone Smoke Green semi-hollow six-string that refurbs the classic Center Block design
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