Latest about Jazz
How Jeff Beck’s Blow by Blow triumphed against the odds to change instrumental guitar forever
50 years on, Blow by Blow remains an inspirational force – a turning point for Beck and guitar-led music in general
That time Miles Davis stopped his entire band to give John McLaughlin some unlikely advice
The famously blunt and temperamental jazz icon was determined to realize his boundary-pushing late-'60s creative vision, but nonetheless had great respect for the budding guitar virtuoso
Fender Japan unveils the Starmaster – a Jazzmaster/Starcaster hybrid that could be the most divisive Fender offset of them all
The Starmaster is even available in Antigua – one of the most loved/hated finishes in Fender history
How do you anchor a band like Pleasure? If you’re Nate Philips, you do it with a formidable slap technique
Pleasure’s fusion-influenced dance music reached its peak with Glide, the Top 10 R&B single from Future Now
“One of the best legitimately new guitars Fender has produced in decades”: Fender American Ultra II Meteora review
The Meteora is that rarest of things: a new body shape from one of the oldest electric guitar manufacturers. As this “sports car version” of the Fender Jazzmaster joins the Big F’s most high-performance range, is it a match made in offset heaven?
When asked by Miles Davis to move to New York and do some gigs, Dave Holland didn’t blink
Dave Holland’s arrival in New York coincided with one of the most transformative periods for Miles Davis and his Lost Quintet
Why the 1960s Fender Bass VI is a tone machine that (almost) defies categorization
Loved by the likes of Jack Bruce, the Hollies and Aerosmith, the Bass VI is the Fender six-string that looks like a guitar, sounds like a bass, and is an offset with mojo and low-end to burn
With Rage Against the Machine, Tim Commerford pioneered an all-time iconic bass tone. No wonder he's cagey about his setup
The toughest right hand in bass charts his never-ending quest for the ultimate tone
