Josh Smith
Latest about Josh Smith

By Amit Sharma Published
With a little help from Bonamassa and Josh Smith, Eric Gales put together one of the great 21st-century blues albums to honor his brother Little Jimmy King

By Alan Paul Published
Blues guitar loves a comeback story and they don't get much better than the return of Larry McCray, who found his sound again via the hottest blues production duo in the control room

By Amit Sharma Published
While it’s easy to think of Ibanez as a company that’s solely at the cutting edge of metal machines for the modern age, they’ve also innovated much further afield, producing timeless acoustics, semi-hollows, and hollowbodies

By Phil Weller Published
New high-end RGA Premium models have been launched alongside updated Joe Satriani, Lari Basilio and Josh Smith signatures
![[L-R] Eric Gales, Buddy Guy and Little Jimmy King: Gales has just announced a tribute LP to Little Jimmy King, aka Manuel Gales, covering his late brother's songs, and the first single features Buddy Guy.](https://cdn.mos.cms.futurecdn.net/5NgZoZgPfo6Gek5fuThzP8-320-80.jpg)
By Jonathan Horsley Published
A Tribute to LJK celebrates the life and legacy of Gales' brother, Manuel Gales, aka Little Jimmy King, and features guest spots from Joe Bonamassa, Josh Smith, and Christone "Kingfish" Ingram

By Matt Parker Published
Korn’s Head is back in the Ibanez fold and has a new 7-string model, rubbing shoulders with the likes of Joe Satriani, Lari Basilio, Josh Smith, George Benson and, of course, his bandmate Munky…

By Josh Smith Published
In blues maestro Josh Smith's latest GW column, the guitarist draws inspiration from George Benson for a lesson in call and response phrasing

By Josh Smith Published
Josh Smith shows you an arresting approach for establishing a melodic narrative in your blues solos

By Josh Smith Published
Smith’s guide to modern blues soloing takes things up a notch, analyzing the blistering technique of jump blues god Danny Gatton

By Josh Smith Published
The blues maestro shows you how to combine chromaticism, diminished patterns and ii-V-i's – but don't be alarmed: it's easier than it sounds, and opens up the doors for radical guitar improv
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