Julian Lage
Latest about Julian Lage

Dweezil Zappa has Eddie Van Halen, Brian May and Yngwie Malmsteen on his ambitious instrumental project – but wants to recruit more guitar greats
By Matt Owen published
Albert Lee, Steve Morse and Steve Vai have also recorded for What The Hell Was I Thinking?, which Zappa began work on back in 1989

How a 9-year-old Julian Lage ended up playing with Carlos Santana in front of 20,000 people
By Matt Owen published
While Santana was touring the US with Jeff Beck, Lage turned up unannounced to meet his hero – and was invited onstage for a jam

“We’d hit it against curbs”: Julian Lage radically DIY aged his father’s prized Telecaster
By Matt Owen published
The jazz virtuoso has a close bond with the Telecaster, and one of his earliest experiences with the model involved some drastic relic'ing methods

“This song presents a kind of revisionist history where guitar solos were cool after all in the early noughties”: February 2024 Guitar World editors' picks
By Michael Astley-Brown published
From neoclassical tapping clinics to cosmic, spaghetti western-esque guitar soundscapes, this month has provided an embarrassment of six-string riches

Julian Lage takes an acoustic turn while Ally Venable turns up the heat in this week's essential guitar tracks
By Matt Owen, Michael Astley-Brown, Jackson Maxwell published
Plus! Fresh cuts from John 5, Dying Fetus, Spotlights, Ali Farka Touré and more…

Julian Lage recalls the time Spinal Tap’s Christopher Guest gifted him a 1955 Gibson Les Paul – which was signed by Les Paul himself
By Matt Owen published
The LP was used by Guest – aka Nigel Tufnel – as his main touring guitar in 1984, with Lage describing it as the perfect convergence of his prized Telecaster and Collings signature guitar

Watch Julian Lage’s astonishing take on Charlie Christian’s Seven Come Eleven, using the jazz great’s own Gibson ES-250
By Matt Parker published
Phoenix’s Musical Instrument Museum handed Lage a very special loaner for his September show

Julian Lage: “A lot of what you hear on this record is first or second take. I like the tape to be rolling when I'm writing because there's a certain sense of discovery”
By David Mead last updated
The guitarist's new album, View With A Room, is full of his signature virtuoso-level guitar playing with splashes of colour provided by special guest Bill Frisell
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