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Charlie Starr on the magic of the B-Bender – and 5 bender-inspired licks you can play on any electric
By Charlie Starr published
The Blackberry Smoke guitarist gives us a lesson in how to sound like you've got a B-Bender, even if you don't

"What if your best song is the one you haven't written yet?" Songwriting For Guitar's free two-day live event will make you a better songwriter - here's how to sign up
By Daryl Robertson published
From the 11th to the 12th of April, you'll be guided through the core building blocks of strong songwriting, hooks, riffs, melody, and structure in a practical, guitar-first way

Welcome to Mike Stringer’s downpicking bootcamp, in which he teaches us the punishing string skipping techniques behind Spiritbox’s Jaded
By Mike Stringer published
In his debut GW column, the prog-metal master teaches you the punishing seven-string string-skipping techniques behind Spiritbox’s Jaded

How Joe Bonamassa and Slash channeled BB King and the Edge for an iconic cover of an iconic tune
By Joe Bonamassa published
In his latest lesson for GW, Joe Bonamassa celebrates B.B. King’s late '80s collaboration with U2

Jared James Nichols on the melodic soloing ideas every guitar player can take from Eric Clapton
By Jared James Nichols published
In his latest Guitar World column, the blues powerhouse channels Slowhand (and uses his own track Threw Me to the Wolves) for a lesson in lyrical leads

“It’s about building intensity… think of Jeff Beck shifting to Billy Gibbons!” How to solo over one-chord blues
By Richard Barrett published
Soloing over changes is cool, but sometimes the blues is all about exploring melody over a single chord

Charlie Starr on the origins of the B-Bender – and how you can play those licks without one
By Charlie Starr published
No B-Bender, no problem, as the Blackberry Smoke frontman shows us 9 licks for that faux pedal-steel sound

5 altered chords you need to know – and how they get their names
By Richard Barrett published
Altered chords can be intimidating at first, but here we demystify the naming conventions, and once you understand that, you can easily find your own

Cory Wong on why doubling the bassline is one of the “most badass” things a guitarist can do
By Cory Wong published
Cory Wong uses Vulfpeck's Jaco-inspired Dean Town to teach us the value of doubling a bassline on guitar

How to play B.B. King’s greatest song (with some help from Joe Bonamassa)
By Joe Bonamassa published
Bonamassa says B.B. King’s The Thrill Is Gone is so perfect that he initially couldn’t find anyone to cover it on his tribute album. Here, he unpacks the tones and approaches of the King of the Blues
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