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“Oh my god!”: Joe Bonamassa pays tribute to the late, great, Stevie Ray Vaughan in this video lesson
By Joe Bonamassa published
One blues legend pays his dues to another, the great SRV – a player who Bonamassa says has inspired us all to play the blues

Create interlocking acoustic guitar parts in the style of the Moody Blues' Justin Hayward
By Stuart Ryan published
We unpack the signature style of The Moody Blues' Justin Hayward, who is often unsung compared with his flashier peers. His playing style, however, requires concentration and accuracy

Raw energy, fiery lead work and funky rhythms – the story and playing behind ‘the Otis Redding’ of guitar
By David Gerrish published
No one who saw him play could forget him, but he’s often overlooked whenever the legends of blues guitar are mentioned, it's time Luther Allison got his dues

Duane Betts on why less is more on his pedalboard, but a tuner and a boost? Everyone should have one
By Andrew Daly published
The guitarist and songwriter on why, for him, it’s all about amp tone

Andy Wood shows you how to elevate your guitar melodies with glissando techniques
By Andy Wood published
In his latest column, Andy Wood taps into what he learned from Steve Vai, Guthrie Govan and Eric Johnson and applied to the melodies on his new album, Charisma

Troy Redfern is an innovative slide maestro – and his licks will up your solo game
By Jon Bishop published
Armed with his custom Fender Stratocaster, Redfern walks us through his signature slide style, and how he accentuates the underlying chord to bring out the melody

“You’ll find it in many old blues tunes”: You need to learn how to solo over this chord progression
By Jim Oblon published
Paul Simon guitarist Jim Oblon shows you how to tailor your leads to the classic I-VI-II-V progression – a jam night staple that’s a lot of fun, too

How to create memorable single-note themes in instrumental guitar music
By Andy Wood published
Andy Wood shows us the power of placing one carefully considered note in front of the other, replacing the need for the human voice
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