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By Jared James Nichols Published
A set of electric guitar strings is no match for the bicep-curling, iron-pumping purveyor of blues power. He shows us how he makes his guitar scream

By Joe Bonamassa Published
Step back from the overdrive pedal, dial the gain back, and that extra clarity could well sound heavier in a band mix

By Richard Barrett Published
If the idea of third inversions seems all upside down, fear not: these five examples show how easy they are to put together – and how musical they are when you apply them in a song

By Cory Wong Published
The funkmeister puts Direct Flyte under the microscope to deliver a masterclass in arrangement. It's funk, sure, but there's some operatic influence in there, too, because that's just how Wong rolls

By Richard Barrett Published
When you’re the only guitarist in the band, triads are your best friends in a guitar solo – and Hendrix and SRV were the masters

By Jared James Nichols Published
Ditch the pick and crank the amp for this Jared James Nichols masterclass in blues solo composition

By Sue Foley Published
In Foley's final column in the series, she completes her turnarounds masterclass – an essential skill for any blues player

By Joe Bonamassa Published
What makes the Gibson ES-350 so good for rock? Bonamassa says they are a real live wire, with “a lot of pop” and no shortage of low-end

By Cory Wong Published
Using a Fearless Flyers classic as a case study in baritone layering, the funk-master GW columnist peels away the onion to explain how these individual parts all stack up
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