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Loved by Joni Mitchell and Keith Richards alike, essential to slide players, here’s how you can explore chords in open D
By Richard Barrett published
These 5 shapes showcase the range of acoustic sounds and textures this open tuning grants access to

Joe Bonamassa invites you to join him on blues shuffle – don’t worry, he’ll show you the notes
By Joe Bonamassa published
Set your phone on silent, your brain on shuffle. JoBo has a blues lesson coming in hot

Decoding the magic of Carlos Santana’s supernatural soloing style
By Richard Barrett published
Stay cosmic with this lesson in how Carlos Santana took the blues as practiced by B.B. King and Peter Green, plus the new radical rock styles of the '60s, and put his signature spin on them

Jared James Nichols on Albert King's electric fingerpicking
By Jared James Nichols published
Albert King played upside down, in a weird tuning, and influenced SRV and Hendrix alike, and he did it without a pick. So it's no surprise Nichols is a huge fan – he breaks down King's magic

Learn 5 altered chords that can create or dissolve harmonic tension
By Richard Barrett published
Jimmy Page often employed dissonant chords with Led Zep and you can, too. You don't even need to know the name of the chord to use them

Sue Foley shows you how to breathe new life into your 12-bar blues
By Sue Foley published
Foley returns with four ways you can freshen up those blues licks and assert your personality upon the material

Buddy Guy influenced Clapton, Page and Hendrix – here’s what you can learn from the blues icon
By Richard Barrett published
No-one plays the blues like Buddy Guy – but that doesn't stop us trying. We look at four ways the blues icon approaches his solos. Warning: it's going to get fiery

Sue Foley pays tribute to blues icons Johnny Winter and Muddy Waters with 4 essential soloing licks
By Sue Foley published
Sue Foley returns to help us navigate the I-IV-V changes and come up with some soloing ideas that enhance your melodic sensibility – and add a bit of fire along the way
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