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“An outline that’s both striking and original with an almost bygone vibe”: West Valley Indiana review
A new name on the UK’s vibrant guitar-making scene, West Valley comes to market with a vision inspired by the golden era of guitar design
“An incredibly powerful, immensely versatile pedal that crams gold-standard modeler experiences and sounds into the smallest form factor possible”: Neural DSP Quad Cortex mini review
Neural DSP's third hardware launch is the one everyone has been waiting for. But what does a stripped back control layout mean for the overall playing experience?
“Runs the gamut from boost through to fuzz-flavoured distortion”: Dinosaural Hypoid Drive review
Dan Coggins makes the drive section of his award-winning Cogmeister powerhouse available as a pedal of its own
"Fractal's renowned amp modeling at a lower entry price": Fractal AM4 review
Roadtesting Fractal's renowned amp modeling at a price that could make a serious splash in the compact modeler market
Gibson Les Paul Junior Double Cut and Les Paul Special Double Cut review
Hot on the heels of the Les Paul Custom ’70s, two more blasts from the past rejoin Gibson’s USA line-up. The DCs are back!
“Those cleaner tones are very characterful and usable, evoking classic tube-driven bass amps”: Ashdown Geezer Butler Pedal of Doom review
Geezer Butler helped invent heavy metal. Here’s a slab of heavy metal bearing his name.
“A radical approach to fuzz – whether you’re a Muse fan or not”: Manson Guitar Works Supermassive Black Fuzz review
Manson Guitar Works’ first stompbox delivers a high degree of variation in your fuzz tone
Leo Fender’s favorite amp, recreated? Fender ’62 Super Amp review
The original, ’62-era Super was said to be Leo Fender's favorite amp. Let’s see if this exacting recreation captures the original magic
