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"Fractal's renowned amp modeling at a lower entry price": Fractal AM4 review
Roadtesting Fractal's renowned amp modeling at a price that could make a serious splash in the compact modeler market
Gibson Les Paul Junior Double Cut and Les Paul Special Double Cut review
Hot on the heels of the Les Paul Custom ’70s, two more blasts from the past rejoin Gibson’s USA line-up. The DCs are back!
“Those cleaner tones are very characterful and usable, evoking classic tube-driven bass amps”: Ashdown Geezer Butler Pedal of Doom review
Geezer Butler helped invent heavy metal. Here’s a slab of heavy metal bearing his name.
“A radical approach to fuzz – whether you’re a Muse fan or not”: Manson Guitar Works Supermassive Black Fuzz review
Manson Guitar Works’ first stompbox delivers a high degree of variation in your fuzz tone
Leo Fender’s favorite amp, recreated? Fender ’62 Super Amp review
The original, ’62-era Super was said to be Leo Fender's favorite amp. Let’s see if this exacting recreation captures the original magic
“A variety of tonal options for not much outlay”: Vintage Distortion, Chorus, Delay and Reverb pedals review
The UK-based Vintage brand enters the pedal market with a baker’s dozen of budget-friendly models
“Boss has packed some serious muscle into a small box... For its price, it’s going to be very tough to beat”: Boss GX-1B review
Boss's GX range of multi-effects gets a bass-specific baby brother...
"The build quality is outstanding, and the number of features gives younger and new players plenty to grow into": Boss GX-1 review
Boss' new entry-level multi-effects delivers pro-level features on a bedroom budget
“There’s more ‘Fender’ to Fiore and more ‘Gibson’ to the SE DGT”: PRS Fiore HH and SE DGT Standard review
PRS has ignored its existing signature artists during its 40th Anniversary, but finally we get two new models that illustrate huge diversity, proving PRS does indeed make guitars for us players
