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"It’s one of the most satisfying stacking combinations I’ve encountered in a dual-channel pedal for a very long time": Wampler Golden Jubilee review
By Daryl Robertson published
Wampler is going for gold with a versatile, fun and pretty great-sounding dual drive pedal

“More aggressive, more physical, more raw and in tune with the animal kingdom”: Electro-Harmonix Big Muff Pi 2 Dual Op-Amp Fuzz review
By Jonathan Horsley published
A schematic, lost in the shuffle, resurfaces with the help of JHS Pedals supremo Josh Scott, and presents us with a fresh slice of Pi

“Lo-Fi and Pitch modes take you well beyond the usual analog delay paradigm”: Beetronics Bee Bee Dee review
By Trevor Curwen published
The first delay pedal from Beetronics offers analog sound with digital control for some time-warped creativity

PJD Origin Series Carey Apprentice and St John Apprentice review
By Dave Burrluck published
It may appear stripped down and basic, but PJD’s new Origin Series Apprentice is sharply built – and seriously affordable. A new standard for affordable craft?

"It’s not the cheapest solution, but it’s one of the most fully featured volume pedals available": Walrus Audio Canvas Volume review
By Daryl Robertson published
The newest addition to the Canvas family is a versatile, feature-rich volume pedal loaded with capabilities you never knew you needed

“The basic rotary sound is very convincing”: Crumar Burn review
By Trevor Curwen published
Made by a keyboard company for use with its organs, this rotary simulator pedal has plenty to get guitarists in a spin

“Will appeal to high-gain players without unlimited budgets”: Victory MKX Lunch Box Head review
By Martin Smith published
Victory’s most advanced compact amp to date promises huge tone-potential in a lunchbox-sized package. We’re feeling hungry…

“A lot of deceptively clever craft”: Duesenberg Starplayer CBR review
By Dave Burrluck published
It’s been a while since we’ve dropped into the world of Duesenberg. German ingenuity, retro style and some big-name users – what’s not to like?
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