Massive FX DallasDevilsPlay and G.O.A.F. review By Chris Gill The Burns Buzzaround and Dallas Rangemaster are reborn with these must-try distortion/fuzz pedals
Martin SC-13E review By Dave Burrluck Martin’s big launch for 2020 is a very un-Martin-style ‘crossover’ guitar. A designer’s folly or the future?
Line 6 POD Go review By Chris Gill Line 6 takes its multi-effect modeling for the masses to the next level with this HX-equipped floor-based unit
PRS S2 McCarty 594, S2 McCarty 594 Singlecut & S2 McCarty 594 Thinline review By Dave Burrluck PRS’s trio of S2 594 models were a big hit at this year’s NAMM Show. How do they fare in the flesh? Very well…
Boss Waza-Air review By Paul Riario Wireless headphones with built-in amps, effects and 3D realism - has Boss just designed the best practice amp ever?
IsoAcoustics Stage 1 Board review By Paul Riario Tighten up your amp's low-end and improve its clarity with this smart all-in-one speaker isolator
Audient EVO 4 Audio Interface review By Alex Wilson Promising unique, user-friendly innovations, does the EVO 4 stand out in an already-crowded entry-level recording interface market?
Gibson 2020 Les Paul & SG review round-up By Jonathan Horsley Three variations on the Les Paul format and one special SG Special to convince non-believers that Gibson is back
Rickenbacker Al Cisneros 4003 AC review By Joel McIver Sleep and OM bassist Al Cisneros is one a very short list of bassists with a signature Rickenbacker, and it is smokin' hot!
Jackson Adrian Smith SDXM and Pro Series Soloist SL2P MAH review By Chris Gill Two nicely priced electrics that cover all the bases
Peavey Invective MH review By Chris Gill This feature-rich, Misha Mansoor-designed head is one of the best high-gain amps you can buy
MXR Timmy Overdrive review By Paul Riario Paul Cochrane partners with MXR to deliver his highly sought-after transparent drive pedal to guitarists everywhere
Taylor Builder's Edition 324ce review By Paul Riario This strummer's price tag is entirely justified given its exceptional performance and aesthetics
Sound Stone Guitar Sustainer review By Paul Riario There are few other accessories that offer the same creative potential for under $40
Gibson Slash Les Paul Standard review By Neville Marten Hot on the heels of its reimagined ’59 and ’60 Les Paul reissues come a new LP built to the specs of the Guns N’ Roses legend
Mooer Tone Capture review By Stuart Williams Want to make your Strat sound like a Les Paul? Or your Tele like a Jackson Soloist? Mooer might well have the solution
Fender American Ultra Jazzmaster and Stratocaster HSS review By Chris Gill These might just be Fender's best electric guitars yet
Squier Classic Vibe '60s Jazz Bass review By Mike Brooks ‘Not another Fender Jazz’, you may be thinking. Well, looks can be deceiving...
Sandberg California TM Bass review By Ed Friedland A German built J-style bass that melds vintage and modern
Fender American Professional Precision Bass V review By Ed Friedland It’s a widely held belief that every pro bassist should own at least one Fender Precision, and a random sampling of the field shows that to be mostly true
