Playing live might be the best way to hone your performance skills, but when it comes to technique, you need practice, practice, practice. If you play an electric guitar, your woodshedding sessions demand an amp that not only reveals the details and nuance of your playing but also sounds great—so great that it makes you want to practice more and become the best guitarist you can.
The first truly 21st century guitar hero? A post-modern chops monster? Annie Clark, a.k.a. St. Vincent, is an enigmatic artist on many levels. As a player, her influences are all over the map. The niece of new agey jazz guitarist Tuck Andress, Clark had some of her earliest professional experiences as a roadie and, later, opening act for his duet Tuck and Patti.
Nearly two decades after making their last and most influential record, 'Slaughter of the Soul,' Gothenburg’s melodic death metal progenitors At the Gates come back with a vengeance on 'At War with Reality.'
Critics snubbed it upon its release in 1972, but Exile on Main St. has become one of rock’s greatest landmarks. Keith Richards recalls the making of the Rolling Stones' masterpiece and how the album’s new reissue project became a walk down memory lane.
Hello, and welcome to my new Guitar World instructional column. In the coming months, I’ll share with you some of the guitar-playing concepts and approaches that have helped me develop my technique and overall playing style. I’d like to start off with an examination of ascending scalar shapes that, by design, cover the majority of the fretboard.
One of the most frustrating aspects of making music today is toiling for hours in the studio to make a pristine recording and craft a perfect mix, only to end up selling your music to an audience that mostly listens to compressed audio files through tinny-sounding ear buds.