Black Keys guitarist and singer Dan Auerbach is obsessed with arcane, el-cheapo mid–20th century guitars: Teiscos, Nationals, Supros, Silvertones. But that fixation is rivaled only by his passion for collecting vintage vinyl and under-the-radar new music. “Yesterday, I was listening to some dub [reggae] that I have on vinyl,” he says. “And this morning, I was listening to some South American Sixties psych music.”
When skipping to another string, often the first note is hammered on "from nowhere" by one of the fret-hand fingers [indicated by "H"]. Strive for an even attack and volume note to note, making each hammer-on quick and firm. When pulling off, flick the string slightly sideways, in toward the palm.
As I have discussed in previous columns, I often use triadic arpeggio forms within my riffs and solos as a tool to create rich-sounding, poly-chordal sounds. I’d like to continue in that vein in this month’s column by presenting different ways in which to move from one arpeggio form to another.
A stomp box may seem like an insignificant item in the history of rock and roll, but it’s hard to imagine how some of the greatest songs of the Seventies and Eighties would have sounded without the influential role of MXR pedals.
These videos and audio files are bonus content related to the September 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
Though it may be easier to learn other people’s solos—which is fine if that’s the goal you’re pursuing—I believe it’s much more rewarding to go out on a limb and take some musical chances, just to see what new and different sounds you can discover in the pursuit of forming a style that you can eventually call your own.
This is an alternate-picking run based on an add9 arpeggio shape on the top three strings that’s moved up and down the neck to four different positions and tonal centers, with a slight variation in bar 2. It begins in E, moves down to C with a little twist—more on that in a moment—then up to D and finally A.