I mean, this is after darn near 400 pages’ worth of the good, the bad and the really, really ugly side of Perry’s 64 years on this planet (more than 40 of them as a founding member of Aerosmith). You’re left realizing that the man has worked hard to be the best he could be at his chosen craft — and he’s struggled to figure out how to handle all that comes with it.
It never fails. At every guitar clinic I attend, someone asks the artist, “How many hours a day do you practice?” They ask it as though they’re considering becoming the next Stevie Ray Vaughan — as long as it doesn’t interfere with their Netflix-watching schedule. For everyone else, there’s Guitar Fingers by Ashkan Mashhour.
Chris Kringel pieced together 21 separate lessons into one book that will help define your playing style as a bassist. The book starts off with simple right-hand plucking concepts and ends with complex two-handed tapping techniques.
Since Rhoads' death in 1982, after perishing in a freak plane accident while on tour with Ozzy Osbourne, the blonde guitar icon has been portrayed as something of a neutered, Christ-like figure. Tales of his legendary kindness, patience and extreme dedication have made him seem more like a holy man than a rock and roller.
After Chilton left the Box Tops, he formed Big Star, a legendary cult band who many consider to be Ground Zero for American “power pop,” the melody-driven sub-genre that has been a staple of indie rock for decades. The irony is that despite the group’s fantastic songs and jangly guitar arrangements, Big Star never became big stars.
It’s no insult to the band to say that Kiss have always been about window dressing. That’s why Paul Stanley’s new autobiography, Face The Music: A Life Exposed, comes as such a surprise. After years of carefully maintaining his Starchild superhero identity, Stanley lets down his guard and unleashes a torrent of pent-up feelings that erupt and flow over 400 pages like molten lava.
Finally, somebody came out with a beginner instructional guitar method book series for adults and teenagers that’s not an outdated, depressing turn-off that makes you want to throw your guitar off a cliff after having struggled to learn embarrassingly unsatisfying versions of the audience favorites “Mary Had a Little Lamb” and “Three Blind Mice.”