I start off with an Amaj7 arpeggio, beginning on the seventh, G#. The first three beats incorporate legato phrasing [hammer-ons and pull-offs used in combination]. I play a total of five notes using the "2-2" form [two notes per string]. I then move to a D augmented arpeggio with a #11, again using the 2-2 form but only playing a group of four notes this time.
In this month’s column, I’d like to initiate a detailed breakdown of the guitar solo on the title track from Nevermore’s latest album, The Obsidian Conspiracy. This is a fairly complex solo, 14-bar bars in total length, so let’s begin with a look at the first six bars, including both the rhythm and lead guitar parts.
The recently remastered and stripped-down versions of Double Fantasy offer a revealing glimpse into John Lennon’s spirit and artistry. In this Guitar World exclusive, session guitarists Rick Nielsen and Earl Slick and producer Jack Douglas discuss the stories and sounds behind Lennon’s final album.