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Guitar World Member For: 4 years 10 weeks
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Session Guitar: Why You Should Always Be Ready, Willing and Able

I ended up playing on an additional few songs and adding backing vocals to a few more. I also was asked my opinion on the mixes. Of course, by day three of sneaking in all this work (approximately 17 hours), I was pretty spent ... but happy. Saying no in this situation wasn't going to happen. I knew there were other guitarists available. Competition.

Session Guitar: Evolve or Die — Some Thoughts on Minimalism

"Good enough." The death knell. Good enough. Two words I hate. "Just cut and paste the few chords and I'll sing over it and you can tune it for me. Or I'll take it home and do the vocals myself on my laptop. I got this USB mic that sounds awesome!" What kind of pre and compressor do you use at home? "What are those?" I deal with this daily.

Session Guitar: What You Can Offer Clients to Increase Your Value As a Session Player

I stress that because I couldn't do a live gig if you paid me. However, because of midi, combined with my knowledge of theory and studying the styles and sounds of great players, I can fool people into believing I'm keyboard player. I also can sing, play drums and program incredibly realistic-sounding drums that fool many drummers. Bass? No problem!

Session Guitar: Musicians Are in the Service Industry

We, as musicians, are in the service industry. When most people think of the service industry, they think of waiters, housekeepers, etc. But we are all in the service industry! First and foremost, we must be of service to ourselves! You cannot give your best to others till you have given your best to yourself. Have you truly been honest with yourself?

Session Guitar Review: EJC Custom Pedals and Guitarworks '41 Willys Distortion Pedal — Video

The car looks fantastic. I chose a '41 Willys in the same color as the car I drive, metallic orange (I like Halloween). The car doesn't simply sit there and do nothing. To add to the cool factor, the engine lights up on either side when the pedal is engaged, along with the headlights.

Session Guitar: Setting Up Your Recording Studio for Maximum Efficiency and Creativity

I'm gonna get right to it today with two words: ergonomics and templates. Ergonomics is how my gear is setup around me in the studio — for minimum movement. Can I reach everything from my seated position in the sweet spot of the control room? Templates are how I set my gear for maximum usage and flexibility, where sound is concerned.

Session Guitar: Another Day in the Studio

Two country songs are in need of solos and ear candy. Earlier, I had done the basic tracks with acoustic guitars, and now the vocals have been added. I like to hear the vocals before soloing; it's always nice to know the song's emotion. That way, if it's a hatred thing, I can solo nasty! Or if it's a love song, I can be sweet and tender.

Session Guitar: How to Create Professional-Sounding Tracks at Home

Every producer has his or her secrets. Some use gear, like a certain mic or pre or vintage amp to get a signature sound. Sometimes it's studio trickery. I just like to think of it as being in control of the studio space and the tools at hand. Sometimes the most obvious tracking methods are overlooked by the casual observer. Here are some of those tips. I guarantee a better sound by applying these simple methods.

Session Guitar: It's Career Re-Evaluation Time!

My recording schedule has been all over the map for the past few months, so sorry for my absence here on GuitarWorld.com! I've been doing marathon sessions to try and complete all of my current and past obligations. I'm cutting back on my studio work to make time for my own musical projects. I still love session work, but it's good to re-evaluate priorities every once in a while.

Session Guitar: It's All About Relationships

When you've "been there" for a person for 100-plus songs spread out over various incarnations of solo and band projects, well, let's just say friendships are born. The session world isn't really about making money through music. It's mainly about relationships — how well can you understand the needs of the artist and help fill the vision they have of their art.