Jon DeRosa: A Tale of Two Coasts

By my 16th year in New York City, it had become incredibly obvious that my output was slowing down and that writing had become a very belabored process for me.

I can't say it was purely environmental, but I'm sure having lost a bit of love for the city was a contributing factor.

The ideas I was putting to paper were increasingly stuck in certain traditional formats musically, though lyrically, I found myself writing in a very paranormal way, as if I were kind of creating a different reality than the one in which I was living. Honestly, it felt like I was grasping. My surroundings didn't feel natural or right anymore. I was more at home in these otherworldly realms where I felt I had more control than in real life.

When I arrived in LA, I had a broad album concept, a few semi-completed songs, and several song fragments. I can't say there was an instantaneous inspiration to write, but there was an instant ability to breathe deeper. And with this calmness and quiet came lightness, and with that lightness came a sense of ease that I hadn't experienced before.

In the end, it's not as if all of this "light" detracted from all the darker themes, sanitizing it or scrubbing it of any conflict. On the contrary, I think it made me see things for their true nature, and again, everything started to feel more natural in both my lyrics and composition. I think now there's a lot more acceptance in my work, as opposed to trying to force things in one direction or another. It's resulted in a much more seamless and organic expression for me.

Black Halo is out now on all major digital services
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