“I don’t trespass on people’s style. It’s like, ‘Oh, God, you sound like that guy... Why?’ We’ve already seen that painting, don’t do that. It’s boring”: The Pixies’ guitarist Joey Santiago on living life as an outsider guitar hero

Joey Santiago wears a Castro cap and plays a Bigsby-equipped Goltdtop, onstage with the Pixies. The Pixies' logo is illuminated behind him.
(Image credit: Mariano Regidor/Redferns)

Nirvana. Radiohead. Weezer. All have the Pixies’ weird-out/freak-out signature stamped across their foreheads. Formed in Boston, Massachusetts in 1986, Pixies changed the alt-rock game forever with the classic albums Surfer Rosa (1988), Doolittle (1990) and Bossanova (1990) with era-defining songs such as Where Is My Mind?, Here Comes Your Man and Debaser.

The mad scientist behind the bulk of that indie rock splendour is guitarist and lead vocalist Charles Michael Kittridge Thompson IV, aka Frank Black, aka Black Francis. A lyrical savant and a master of loud/quiet dynamics, Francis set the template for ’90s rock, which has been copied endlessly across the years. But he couldn’t have done it without his trusted sidekick Joey Santiago, who injected gain-drenched, off-the-wall, shards-of-glass-meets-sticky-pop guitar goodness into the mix.

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