
Henry Yates
Henry Yates is a freelance journalist who has written about music for titles including The Guardian, Telegraph, NME, Classic Rock, Guitarist, Total Guitar and Metal Hammer. He is the author of Walter Trout's official biography, Rescued From Reality, a talking head on Times Radio and an interviewer who has spoken to Brian May, Jimmy Page, Ozzy Osbourne, Ronnie Wood, Dave Grohl and many more. As a guitarist with three decades' experience, he mostly plays a Fender Telecaster and Gibson Les Paul.
Latest articles by Henry Yates

Ozzy Osbourne couldn’t play guitar. Yet he changed the guitar world by introducing some of its greatest heroes
By Henry Yates published
The late heavy-metal icon did not, could not, play guitar. Yet his contribution to the scene – whether giving a platform to fledgling gunslingers or igniting their talents – was inestimable

Mark Knopfler on why one of the Dire Straits' most iconic tracks hinges on this four-note guitar intro
By Janelle Borg published
The Dire Straits guitarist reflects on the songwriting process of some of the band’s classic tracks

Chris Turpin on teaming up with Greta Van Fleet’s Jake Kiszka for Mirador and the unplanned magic of rock
By Henry Yates published
The Ida Mae guitarist isn't even sure what to call Mirador, but with some tone mojo from cranked half-stacks and Jake Kiszka’s raw, effervescent energy, they've got something good going on

Remembering Rick Derringer: the maverick who brought the fire to Johnny Winter’s band
By Henry Yates published
The Ohio guitarist was one of rock’s most adaptable talents and had the production skills to go with his playing

Mark Knopfler on 40 years of Dire Straits’ Brothers In Arms – the guitars, the riffs… the pressure of learning to play in time
By Henry Yates published
From his lucky ’83 Les Paul and Fleetwood Mac-inspired soloing to “getting away with murder” at the sessions, the Dire Straits legend opens up in his most revealing interview in years

How Eurythmics legend Dave Stewart became friends with Bob Dylan – after what he thought was a prank call
By Matt Owen published
Stewart was alone in the studio when he received a call from what he thought was prankster

How a Gypsy jazz guitarist came to play George Harrison’s iconic Beatles guitars on a new tribute album
By David Mead published
Recorded in Harrison’s home studio using his most famous instruments, Robin Nolan’s Gypsy jazz covers reimagine the quiet Beatle’s best moments – and finally completes Harrison’s ‘lost’ song…

How Gibson brought relic’d finishes to its iconic acoustic guitars with the Murphy Lab
By Henry Yates published
Senior product development manager, Robi Johns, tells us why playing Gibson’s new Heavy Aged Acoustic Collection is like stepping into a time machine

Scott Gorham on the future of Thin Lizzy – and how the late John Sykes gave them thunder when they needed it most
By Henry Yates published
Gorham remembers John Sykes, the player who stepped in and stepped up, breathing new life into Thin Lizzy with the super hard rock sound of his Les Paul Custom

Mark Knopfler on the treasured Gibson he received as a gift from a rock hero – which became his studio go-to
By Janelle Borg published
Last year, Knopfler parted ways with 120 of his prized instruments for charity, including much of the Brothers in Arms gear

Mark Knopfler on why he doesn't consider himself a “guitar god” – and the ones in the industry who deserve that title
By Janelle Borg published
40 years after the release of the Dire Straits’ seminal album, Brothers in Arms, Knopfler reflects on that game-changing period and why he was always a reluctant rock star

Scott Gorham on how his guitar partnership with Gary Moore came to a dramatic end
By Henry Yates published
The Belfast-born virtuoso brought blues-rock fireworks to Thin Lizzy's sound and a muscular foil for Gorham who was always trying something different
![Scott Gorham [right] and Brian Robertson of Thin Lizzy, long-haired, playing Les Pauls onstage with the legendary Irish rock institution in 1978](https://cdn.mos.cms.futurecdn.net/NRYL34jkDSxxFnJfiiczc7.jpg)
Scott Gorham on his partnership with Brian Robertson and how Thin Lizzy nearly split up over a beard
By Henry Yates published
The years 1974 to '78 were good times for Thin Lizzy creatively, with the twin-guitar dynamite of Robertson and Gorham in the engine room. But they weren't half volatile...

How Gibson’s Murphy Lab acoustics managed to fool Peter Frampton
By Janelle Borg published
The relic’ing masters, led by Tom Murphy, entered the acoustic guitar space in 2023 – and have since gained fans among even the top guitar players

Scott Gorham may have passed his Thin Lizzy audition – but his budget Les Paul copy certainly didn’t
By Phil Weller published
The Irish rockers finally found their man after auditioning 24 hopefuls when Gorham turned up for his turn – but Phil Lynott was left underwhelmed by his choice of instrument

Lita Ford on the only amp she ever returned, and why she didn't ask for her stolen Mockingbird back
By David Mead published
The rock icon talks all things gear, like that time she lied about her age so she could earn money for an SG, Neal Moser's badass B.C. Rich custom jobs, and why she returned a Kerry King Marshall

Scott Gorham doesn’t rule out a future for Thin Lizzy – but he’s biding his time to find the perfect guitar foil
By Naomi Baker published
Lizzy’s most faithful guitarist, Scott Gorham, has left the door open for a potential return of the iconic band – but only under the right circumstances

Scott Gorham recalls his nerve-racking Thin Lizzy audition – and his first impressions of Brian Robertson
By Janelle Borg published
Back in 1974, Thin Lizzy were auditioning a second guitarist to accompany their newest recruit: the 18-year-old Les Paul-wielding Brian Robertson

Jerry Harrison on the outtakes and off-brand inspirations behind Talking Heads’ Little Creatures
By Henry Yates published
If 1985's Little Creatures brought an Americana flavor to the Talking Heads, MTV brought commercial success. Harrison reflects on an art-rock classic and explains why the pressure was fun

Andy Summers on the stylistic clashes and unexpected successes of his ‘80s collab with Robert Fripp
By Henry Yates published
As Summers’ and Fripp’s avant-garde albums of the 80s are reissued, we hear all about how the side-project came to be – and whether it could happen again

Lita Ford had her prized Mockingbird stolen – but crossed paths with it in the most bizarre circumstances
By Janelle Borg published
Ford was briefly reacquainted with her beloved Mockingbird when an auditionee rocked up to her studio with her stolen guitar

Jerry Harrison on Talking Heads 1977 debut, the spirit of CBGB and Lou Reed’s advice on “hairy arms”
By Henry Yates published
Granting a rare interview to promote Talking Heads’ newly reissued debut album, the new wave pioneer holds forth on everything from the thrills of the CBGB scene to the perils of mimicking your heroes

Johnny Marr on the magic of his 7-string signature Martin – and his fight with capo addiction
By Jamie Dickson published
Since he rose to glory in the mid-’80s with The Smiths, Marr has been the king of crystalline chime. Now, he reveals how his new M-7 Martin – complete with octave G string – puts that shimmer at your fingertips

Remembering John Sykes, the journeyman virtuoso who his mark on both Thin Lizzy and Whitesnake
By Henry Yates published
Cruel timing and clashes with David Coverdale kept Sykes from rock’s super-league but he was a top-tier player with a sound all his own

How Andy Summers formed one of the 1980s’ most unlikely guitar partnerships with Robert Fripp – despite not being especially keen on some of his work
By Matt Owen published
The worlds of stadium rock and prog came together for a time in the early 1980s, when The Police and King Crimson guitarists teamed up for a handful of avant-garde records
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