
Henry Yates
Henry Yates is a freelance journalist who has written about music for titles including The Guardian, Telegraph, NME, Classic Rock, Guitarist, Total Guitar and Metal Hammer. He is the author of Walter Trout's official biography, Rescued From Reality, a talking head on Times Radio and an interviewer who has spoken to Brian May, Jimmy Page, Ozzy Osbourne, Ronnie Wood, Dave Grohl and many more. As a guitarist with three decades' experience, he mostly plays a Fender Telecaster and Gibson Les Paul.
Latest articles by Henry Yates

Jimmie Vaughan was a garbage man listening to B.B. King. Then he wound up touring with his hero
By Henry Yates published
He once snuck into a B.B. King show aged 13. Now Jimmie Vaughan is part of Joe Bonamassa's all-star tribute to the King of the Blues – he explains how he approached tackling his hero's licks and what he learned from the master

Warren Haynes remembers B.B. King – from being in awe to playing with him
By Henry Yates published
Haynes was one of the many guitar greats whose lives have been changed by B.B. King, and thanks to Joe Bonamassa, he got to pay tribute to him on the song he would have chosen himself

Francis Rossi on the Status Quo groove, Kempers, and his relationship with the late Rick Parfitt
By Henry Yates published
The Quo’s motormouthed frontman had no intention of releasing a new solo album. But with The Accidental, Francis Rossi tells us he’s stumbled across his best work yet

Jason Isbell on the acoustic that was eons in the making and how a stolen guitar brought him into the Martin lineup
By Henry Yates published
Country star Jason Isbell has played Martins ever since he was bailed out by the company after his van was looted… And now he presents new signature models based on his rare pre-war 0-17

Noodling alone at home is fine. But you’ll never be a great guitar player unless you join a band
By Henry Yates published
Leaving the bedroom for the rehearsal room exposed my flaws and smashed my confidence. But if you can stick with it, you’ll have the best laugh of your life and supercharge your playing

Glenn Tilbrook on the resurrection of the Squeeze concept album that never was
By Henry Yates published
Demo’d in ’74, when their compositional skills wrote checks their chops couldn’t cash, Squeeze shelved Trixies for 52 years. Now, Tilbrook says he’s proud to pull this lost album from the time machine

Why Kim Gordon has stopped playing the bass – despite being an icon of the instrument
By Matt Owen published
Gordon's work with Sonic Youth cemented her reputation as a modern pioneer of the bass guitar – but she hasn't picked one up in over 10 years

Remembering the late Mick Abrahams, co-founder of Jethro Tull, purveyor of “good, honest music”
By Henry Yates published
A powerful, lyrical bluesman, the founding Jethro Tull and Blodwyn Pig guitarist always played music his way – even when it hurt his career
![Joanne Shaw Taylor pictured with a Les Paul [left] and B.B. King, taking solo on Lucille at the Chicago Theater in 1991](https://cdn.mos.cms.futurecdn.net/xcyUro4TZ38XsPtW6NxmwJ-320-80.jpg)
Joanne Shaw Taylor on her life-changing first meeting with the great B.B. King
By Henry Yates published
Joanne Shaw Taylor was just a young kid when she met B.B. King. Now she is paying tribute to the King of the Blues on Joe Bonamassa’s all-star album
![Joe Bonamassa [left] wears shades takes a solo on vintage Gibson Les Paul; B.B. King [right] wears a cream suit and takes a solo on a red Gibson ES-355 at the 1969 Newport Jazz Festival](https://cdn.mos.cms.futurecdn.net/fcHMzdytCgLhP6ivPZHUih-320-80.jpg)
Joe Bonamassa on his friendship with the ultimate bluesman, B.B. King – and paying the ultimate tribute
By David Mead published
B.B. King would have celebrated his 100th birthday in September last year. But when Joe Bonamassa discovered that the centenary was going almost unnoticed, he swung into action

How Europe’s John Norum learned to love The Final Countdown – and the guitar he used to track its iconic solo
By Henry Yates published
The Final Countdown is one of rock's evergreen anthems, but Norum admits he thought it was “dreadful” at first

He wrote chart-topping hits and a Christmas classic, but all he wanted to do was play slide blues – remembering Chris Rea
By Henry Yates published
A slide master with a voice like life, the English bluesman hated the spotlight – and deserves notice beyond his perennial Christmas hit

From sleeping in tents to Woodstock, rock ’n’ roll's ‘Forrest Gump’ Leo Lyons shares the story of Ten Years After
By Henry Yates published
The Ten Years After bassist survived Hamburg’s Star-Club, sparked the blues boom, achieved immortality at Woodstock – and is still going strong at 82. “Music,” he says, “it’s a drug…”
![Rick Parfitt [left] and Francis Rossi give their Telecasters a good thrashing during a 2010 live performance in Perth, Australia.](https://cdn.mos.cms.futurecdn.net/kUajqnE4SGm6cLFQRTgaEi-320-80.jpg)
Francis Rossi opens up on the internal tensions between Status Quo’s two guitar greats
By Jonathan Horsley published
A decade on since Rick Parfitt's death, Rossi reveals how the Quo wasn't big enough for the both of them

Warren Haynes on the time he missed the chance to play with B.B. King
By Matt Owen published
Haynes had witnessed the King play live years earlier – but when he first got the chance to jam with the blues icon, nerves got the better of him

Inside the (literally) blistering sound of British alt-rock’s cultest heroes, The Wedding Present
By Henry Yates published
With a refreshed lineup, a new EP, and a boxset documenting the band's storied career, The Wedding Present founder/frontman Gedge and new guitarist Wood tell us why they're not afraid to bleed for their art – but they're not superglueing the wounds together

When a 13-year-old Jimmie Vaughan was stopped from watching B.B. King play, another blues great came to his aid
By Phil Weller published
Vaughan wanted to watch his guitar hero play live for the first time – and another hero saved the day

“Steve was on the session when history was made”: Why Steve Cropper was one of guitar’s most humble heroes
By Henry Yates published
The departed soul man was the Stax band’s MVP, writing and driving the R&B classics that ruled the ’60s

How Boss reimagined the wildest effect on your pedalboard
By Henry Yates published
Boss's Matt Knight gives us the lowdown on the XS-1 and XS-100 Poly Shifter series, the pitch-shifting pedals that put the DigiTech Whammy on notice

Meet the mystery guitarist rewriting a new future for prog – with a little help from superstar players Greg Howe and Mohini Dey
By Henry Yates published
DarWin guitarist Greg Howe and bassist Mohini Dey, plus the supergroup’s mysterious namesake, tell us about new album, Distorted Mirror, and how it is reinventing the concept album

How some inspiration from Yngwie Malmsteen helped transform Europe's the Final Countdown from “dreadful” demo into smash hit
By Jackson Maxwell published
A staple of sporting events around the world, this keyboard-driven anthem was given a healthy dose of muscle by its skeptical guitarist, transforming it into a perfect-for-the-era, stadium-pleasing classic

“Sometimes we were recording a song and the power shut down because of the wind. Since we do everything live, we had to start over”: Assouf rockers Imarhan on how a Peavey amp, the weather and Stevie Ray Vaughan tapes were the making of their new album
By Henry Yates published
Algerian desert rockers’ new release, Essam, fuses electronica with fuzzbox vibes, political flashpoints and ancient poetry. Call it desert blues if you like – but they don’t

“I put it on a stand at a guitar show, with no strategy. And it changed everything”: How relic’ing conquered the guitar world
By Henry Yates published
The not-so-gentle art of relic’ing has enjoyed a renaissance since its maligned roots in the mid-’90s. We asked scene godfather and Gibson Custom Shop guru Tom Murphy how the tide turned

Lita Ford had her prized Mockingbird stolen – but crossed paths with it in the most bizarre circumstances
By Janelle Borg published
Ford was briefly reacquainted with her beloved Mockingbird when an auditionee rocked up to her studio with her stolen guitar

A-list guitar auctions are now a firm fixture, and the sums involved are eye-watering. But who is driving the boom – and is it sustainable?
By Henry Yates published
The amount of money changing hands for artist-owned guitars at auction is eye-watering. Amelia Walker of Christie's London explains what sells and who's buying – and whether it will last
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