
Henry Yates
Henry Yates is a freelance journalist who has written about music for titles including The Guardian, Telegraph, NME, Classic Rock, Guitarist, Total Guitar and Metal Hammer. He is the author of Walter Trout's official biography, Rescued From Reality, a talking head on Times Radio and an interviewer who has spoken to Brian May, Jimmy Page, Ozzy Osbourne, Ronnie Wood, Dave Grohl and many more. As a guitarist with three decades' experience, he mostly plays a Fender Telecaster and Gibson Les Paul.
Latest articles by Henry Yates

How Europe’s John Norum learned to love The Final Countdown – and the guitar he used to track its iconic solo
By Henry Yates published
The Final Countdown is one of rock's evergreen anthems, but Norum admits he thought it was “dreadful” at first

He wrote chart-topping hits and a Christmas classic, but all he wanted to do was play slide blues – remembering Chris Rea
By Henry Yates published
A slide master with a voice like life, the English bluesman hated the spotlight – and deserves notice beyond his perennial Christmas hit

From sleeping in tents to Woodstock, rock ’n’ roll's ‘Forrest Gump’ Leo Lyons shares the story of Ten Years After
By Henry Yates published
The Ten Years After bassist survived Hamburg’s Star-Club, sparked the blues boom, achieved immortality at Woodstock – and is still going strong at 82. “Music,” he says, “it’s a drug…”
![Rick Parfitt [left] and Francis Rossi give their Telecasters a good thrashing during a 2010 live performance in Perth, Australia.](https://cdn.mos.cms.futurecdn.net/kUajqnE4SGm6cLFQRTgaEi-320-80.jpg)
Francis Rossi opens up on the internal tensions between Status Quo’s two guitar greats
By Jonathan Horsley published
A decade on since Rick Parfitt's death, Rossi reveals how the Quo wasn't big enough for the both of them

Warren Haynes on the time he missed the chance to play with B.B. King
By Matt Owen published
Haynes had witnessed the King play live years earlier – but when he first got the chance to jam with the blues icon, nerves got the better of him

Inside the (literally) blistering sound of British alt-rock’s cultest heroes, The Wedding Present
By Henry Yates published
With a refreshed lineup, a new EP, and a boxset documenting the band's storied career, The Wedding Present founder/frontman Gedge and new guitarist Wood tell us why they're not afraid to bleed for their art – but they're not superglueing the wounds together

When a 13-year-old Jimmie Vaughan was stopped from watching B.B. King play, another blues great came to his aid
By Phil Weller published
Vaughan wanted to watch his guitar hero play live for the first time – and another hero saved the day

“Steve was on the session when history was made”: Why Steve Cropper was one of guitar’s most humble heroes
By Henry Yates published
The departed soul man was the Stax band’s MVP, writing and driving the R&B classics that ruled the ’60s

How Boss reimagined the wildest effect on your pedalboard
By Henry Yates published
Boss's Matt Knight gives us the lowdown on the XS-1 and XS-100 Poly Shifter series, the pitch-shifting pedals that put the DigiTech Whammy on notice

Meet the mystery guitarist rewriting a new future for prog – with a little help from superstar players Greg Howe and Mohini Dey
By Henry Yates published
DarWin guitarist Greg Howe and bassist Mohini Dey, plus the supergroup’s mysterious namesake, tell us about new album, Distorted Mirror, and how it is reinventing the concept album

How some inspiration from Yngwie Malmsteen helped transform Europe's the Final Countdown from “dreadful” demo into smash hit
By Jackson Maxwell published
A staple of sporting events around the world, this keyboard-driven anthem was given a healthy dose of muscle by its skeptical guitarist, transforming it into a perfect-for-the-era, stadium-pleasing classic

“Sometimes we were recording a song and the power shut down because of the wind. Since we do everything live, we had to start over”: Assouf rockers Imarhan on how a Peavey amp, the weather and Stevie Ray Vaughan tapes were the making of their new album
By Henry Yates published
Algerian desert rockers’ new release, Essam, fuses electronica with fuzzbox vibes, political flashpoints and ancient poetry. Call it desert blues if you like – but they don’t

“I put it on a stand at a guitar show, with no strategy. And it changed everything”: How relic’ing conquered the guitar world
By Henry Yates published
The not-so-gentle art of relic’ing has enjoyed a renaissance since its maligned roots in the mid-’90s. We asked scene godfather and Gibson Custom Shop guru Tom Murphy how the tide turned

Lita Ford had her prized Mockingbird stolen – but crossed paths with it in the most bizarre circumstances
By Janelle Borg published
Ford was briefly reacquainted with her beloved Mockingbird when an auditionee rocked up to her studio with her stolen guitar

A-list guitar auctions are now a firm fixture, and the sums involved are eye-watering. But who is driving the boom – and is it sustainable?
By Henry Yates published
The amount of money changing hands for artist-owned guitars at auction is eye-watering. Amelia Walker of Christie's London explains what sells and who's buying – and whether it will last

The life and wild times of Danny Thompson, the legend of upright bass who “brought greatness to everything he played”
By Henry Yates published
The fabled upright acoustic bassist leaves us with a thousand tales of misadventure and an extraordinary body of music that weaves through the rock ’n’ roll era

Stephen Dale Petit on break-ups, cancer, Eric Clapton and why the original “blues hooligan” is no gun-for-hire
By Henry Yates published
Grave illness and a broken heart have tested Stephen Dale Petit – but the bluesman tells us that completing his Clapton-bolstered masterpiece, Be The Love, is all that matters

How this bluesman linked up with Eric Clapton – and got him to play a solo on his album
By Phil Weller published
They’ve forged a close friendship over the years, but getting Slowhand to play an “insane” solo on his record wasn’t easy

Why Mark Knopfler’s guitar tech convinced him to play Les Pauls – and how they impacted his tone and playing
By Janelle Borg published
Knopfler is forever linked to the Fender Strat – however, to successfully convey the emotional weight required on Brothers in Arms, his tech pushed him towards Gibsons

Eurythmics legend Dave Stewart on gigging folk clubs underage, why Sweet Dreams is a blues song and drinking sake with Dylan
By Henry Yates published
The Eurythmics legend returns with an album of Bob Dylan covers, a man who he remarkably befriended after a chance phone call

Ozzy Osbourne couldn’t play guitar. Yet he changed the guitar world by introducing some of its greatest heroes
By Henry Yates published
The late heavy-metal icon did not, could not, play guitar. Yet his contribution to the scene – whether giving a platform to fledgling gunslingers or igniting their talents – was inestimable

Mark Knopfler on why one of the Dire Straits' most iconic tracks hinges on this four-note guitar intro
By Janelle Borg published
The Dire Straits guitarist reflects on the songwriting process of some of the band’s classic tracks

Chris Turpin on teaming up with Greta Van Fleet’s Jake Kiszka for Mirador and the unplanned magic of rock
By Henry Yates published
The Ida Mae guitarist isn't even sure what to call Mirador, but with some tone mojo from cranked half-stacks and Jake Kiszka’s raw, effervescent energy, they've got something good going on

Remembering Rick Derringer: the maverick who brought the fire to Johnny Winter’s band
By Henry Yates published
The Ohio guitarist was one of rock’s most adaptable talents and had the production skills to go with his playing

Mark Knopfler on 40 years of Dire Straits’ Brothers In Arms – the guitars, the riffs… the pressure of learning to play in time
By Henry Yates published
From his lucky ’83 Les Paul and Fleetwood Mac-inspired soloing to “getting away with murder” at the sessions, the Dire Straits legend opens up in his most revealing interview in years
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