Henry Yates
Henry Yates is a freelance journalist who has written about music for titles including The Guardian, Telegraph, NME, Classic Rock, Guitarist, Total Guitar and Metal Hammer. He is the author of Walter Trout's official biography, Rescued From Reality, a talking head on Times Radio and an interviewer who has spoken to Brian May, Jimmy Page, Ozzy Osbourne, Ronnie Wood, Dave Grohl and many more. As a guitarist with three decades' experience, he mostly plays a Fender Telecaster and Gibson Les Paul.
Latest articles by Henry Yates

By Henry Yates Published
With a refreshed lineup, a new EP, and a boxset documenting the band's storied career, The Wedding Present founder/frontman Gedge and new guitarist Wood tell us why they're not afraid to bleed for their art – but they're not superglueing the wounds together

By Phil Weller Published
Vaughan wanted to watch his guitar hero play live for the first time – and another hero saved the day

By Henry Yates Published
The departed soul man was the Stax band’s MVP, writing and driving the R&B classics that ruled the ’60s

By Henry Yates Published
Boss's Matt Knight gives us the lowdown on the XS-1 and XS-100 Poly Shifter series, the pitch-shifting pedals that put the DigiTech Whammy on notice

By Henry Yates Published
DarWin guitarist Greg Howe and bassist Mohini Dey, plus the supergroup’s mysterious namesake, tell us about new album, Distorted Mirror, and how it is reinventing the concept album

By Jackson Maxwell Published
A staple of sporting events around the world, this keyboard-driven anthem was given a healthy dose of muscle by its skeptical guitarist, transforming it into a perfect-for-the-era, stadium-pleasing classic

By Henry Yates Published
Algerian desert rockers’ new release, Essam, fuses electronica with fuzzbox vibes, political flashpoints and ancient poetry. Call it desert blues if you like – but they don’t

By Henry Yates Published
The not-so-gentle art of relic’ing has enjoyed a renaissance since its maligned roots in the mid-’90s. We asked scene godfather and Gibson Custom Shop guru Tom Murphy how the tide turned

By Janelle Borg Published
Ford was briefly reacquainted with her beloved Mockingbird when an auditionee rocked up to her studio with her stolen guitar

By Henry Yates Published
The amount of money changing hands for artist-owned guitars at auction is eye-watering. Amelia Walker of Christie's London explains what sells and who's buying – and whether it will last

By Henry Yates Published
The fabled upright acoustic bassist leaves us with a thousand tales of misadventure and an extraordinary body of music that weaves through the rock ’n’ roll era

By Henry Yates Published
Grave illness and a broken heart have tested Stephen Dale Petit – but the bluesman tells us that completing his Clapton-bolstered masterpiece, Be The Love, is all that matters

By Phil Weller Published
They’ve forged a close friendship over the years, but getting Slowhand to play an “insane” solo on his record wasn’t easy

By Janelle Borg Published
Knopfler is forever linked to the Fender Strat – however, to successfully convey the emotional weight required on Brothers in Arms, his tech pushed him towards Gibsons

By Henry Yates Published
The Eurythmics legend returns with an album of Bob Dylan covers, a man who he remarkably befriended after a chance phone call

By Henry Yates Published
The late heavy-metal icon did not, could not, play guitar. Yet his contribution to the scene – whether giving a platform to fledgling gunslingers or igniting their talents – was inestimable

By Janelle Borg Published
The Dire Straits guitarist reflects on the songwriting process of some of the band’s classic tracks

By Henry Yates Published
The Ida Mae guitarist isn't even sure what to call Mirador, but with some tone mojo from cranked half-stacks and Jake Kiszka’s raw, effervescent energy, they've got something good going on

By Henry Yates Published
The Ohio guitarist was one of rock’s most adaptable talents and had the production skills to go with his playing

By Henry Yates Published
From his lucky ’83 Les Paul and Fleetwood Mac-inspired soloing to “getting away with murder” at the sessions, the Dire Straits legend opens up in his most revealing interview in years

By Matt Owen Published
Stewart was alone in the studio when he received a call from what he thought was prankster

By David Mead Published
Recorded in Harrison’s home studio using his most famous instruments, Robin Nolan’s Gypsy jazz covers reimagine the quiet Beatle’s best moments – and finally completes Harrison’s ‘lost’ song…

By Henry Yates Published
Senior product development manager, Robi Johns, tells us why playing Gibson’s new Heavy Aged Acoustic Collection is like stepping into a time machine

By Henry Yates Published
Gorham remembers John Sykes, the player who stepped in and stepped up, breathing new life into Thin Lizzy with the super hard rock sound of his Les Paul Custom
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