Henry Yates
Henry Yates is a freelance journalist who has written about music for titles including The Guardian, Telegraph, NME, Classic Rock, Guitarist, Total Guitar and Metal Hammer. He is the author of Walter Trout's official biography, Rescued From Reality, a talking head on Times Radio and an interviewer who has spoken to Brian May, Jimmy Page, Ozzy Osbourne, Ronnie Wood, Dave Grohl and many more. As a guitarist with three decades' experience, he mostly plays a Fender Telecaster and Gibson Les Paul.
Latest articles by Henry Yates

By Henry Yates Published
The producer of vintage Fleetwood Mac and Bluesbreakers was one of British blues’ towering figures

By Henry Yates Published
The New Yorker will be remembered as a master of acoustic barrelhouse and an interpreter of Delta blues who performed like a man possessed

By Henry Yates Published
Taking influence from Indian classical, Brazilian bossa nova and beyond, this late jazz master’s touch and vision equalled anyone on the fusion scene

By Henry Yates Published
To celebrate the King of the Blues' centenary, we rewind the reels of a life story that’s equal parts pain and redemption…

By Henry Yates Published
Returning with a powerful new album, the Grammy-winning bandleader reflects on fighting racism through music, his father’s “dangerous” licks, and the “higher vibrations” of recording at 432Hz

By Henry Yates Published
Parade is the Prince and the Revolution album that time forgot. But it’s time for a reappraisal...

By Henry Yates Published
The big-name fans. The studio where the Smiths tracked The Queen Is Dead. The bird that got caught in the control room. This is the story of the Chameleons’ Stranger Times

By David Mead Published
In his own words, Rush reflects on the brilliance of B.B. and what he learned from the King of the Blues

By Henry Yates Published
Returning with solo album Play Me – a stinging broadside against the modern age – the alt-rock talisman remembers the bad guitars and renegade tunings of her ’80s breakout with Sonic Youth

By Matt Owen Published
Marley Senior’s legendary Les Paul was his prime stage and studio guitar

By Henry Yates Published
He once snuck into a B.B. King show aged 13. Now Jimmie Vaughan is part of Joe Bonamassa's all-star tribute to the King of the Blues – he explains how he approached tackling his hero's licks and what he learned from the master

By Henry Yates Published
Haynes was one of the many guitar greats whose lives have been changed by B.B. King, and thanks to Joe Bonamassa, he got to pay tribute to him on the song he would have chosen himself

By Henry Yates Published
The Quo’s motormouthed frontman had no intention of releasing a new solo album. But with The Accidental, Francis Rossi tells us he’s stumbled across his best work yet

By Henry Yates Published
Country star Jason Isbell has played Martins ever since he was bailed out by the company after his van was looted… And now he presents new signature models based on his rare pre-war 0-17

By Henry Yates Published
Leaving the bedroom for the rehearsal room exposed my flaws and smashed my confidence. But if you can stick with it, you’ll have the best laugh of your life and supercharge your playing

By Henry Yates Published
Demo’d in ’74, when their compositional skills wrote checks their chops couldn’t cash, Squeeze shelved Trixies for 52 years. Now, Tilbrook says he’s proud to pull this lost album from the time machine

By Matt Owen Published
Gordon's work with Sonic Youth cemented her reputation as a modern pioneer of the bass guitar – but she hasn't picked one up in over 10 years

By Henry Yates Published
A powerful, lyrical bluesman, the founding Jethro Tull and Blodwyn Pig guitarist always played music his way – even when it hurt his career
![Joanne Shaw Taylor pictured with a Les Paul [left] and B.B. King, taking solo on Lucille at the Chicago Theater in 1991](https://cdn.mos.cms.futurecdn.net/xcyUro4TZ38XsPtW6NxmwJ-320-80.jpg)
By Henry Yates Published
Joanne Shaw Taylor was just a young kid when she met B.B. King. Now she is paying tribute to the King of the Blues on Joe Bonamassa’s all-star album
![Joe Bonamassa [left] wears shades takes a solo on vintage Gibson Les Paul; B.B. King [right] wears a cream suit and takes a solo on a red Gibson ES-355 at the 1969 Newport Jazz Festival](https://cdn.mos.cms.futurecdn.net/fcHMzdytCgLhP6ivPZHUih-320-80.jpg)
By David Mead Published
B.B. King would have celebrated his 100th birthday in September last year. But when Joe Bonamassa discovered that the centenary was going almost unnoticed, he swung into action

By Henry Yates Published
The Final Countdown is one of rock's evergreen anthems, but Norum admits he thought it was “dreadful” at first

By Henry Yates Published
A slide master with a voice like life, the English bluesman hated the spotlight – and deserves notice beyond his perennial Christmas hit

By Henry Yates Published
The Ten Years After bassist survived Hamburg’s Star-Club, sparked the blues boom, achieved immortality at Woodstock – and is still going strong at 82. “Music,” he says, “it’s a drug…”
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![Rick Parfitt [left] and Francis Rossi give their Telecasters a good thrashing during a 2010 live performance in Perth, Australia.](https://cdn.mos.cms.futurecdn.net/kUajqnE4SGm6cLFQRTgaEi-320-80.jpg)
