Henry Yates
Henry Yates is a freelance journalist who has written about music for titles including The Guardian, Telegraph, NME, Classic Rock, Guitarist, Total Guitar and Metal Hammer. He is the author of Walter Trout's official biography, Rescued From Reality, a talking head on Times Radio and an interviewer who has spoken to Brian May, Jimmy Page, Ozzy Osbourne, Ronnie Wood, Dave Grohl and many more. As a guitarist with three decades' experience, he mostly plays a Fender Telecaster and Gibson Les Paul.
Latest articles by Henry Yates

By Henry Yates Published
Leaving the bedroom for the rehearsal room exposed my flaws and smashed my confidence. But if you can stick with it, you’ll have the best laugh of your life and supercharge your playing

By Henry Yates Published
Demo’d in ’74, when their compositional skills wrote checks their chops couldn’t cash, Squeeze shelved Trixies for 52 years. Now, Tilbrook says he’s proud to pull this lost album from the time machine

By Matt Owen Published
Gordon's work with Sonic Youth cemented her reputation as a modern pioneer of the bass guitar – but she hasn't picked one up in over 10 years

By Henry Yates Published
A powerful, lyrical bluesman, the founding Jethro Tull and Blodwyn Pig guitarist always played music his way – even when it hurt his career
![Joanne Shaw Taylor pictured with a Les Paul [left] and B.B. King, taking solo on Lucille at the Chicago Theater in 1991](https://cdn.mos.cms.futurecdn.net/xcyUro4TZ38XsPtW6NxmwJ-320-80.jpg)
By Henry Yates Published
Joanne Shaw Taylor was just a young kid when she met B.B. King. Now she is paying tribute to the King of the Blues on Joe Bonamassa’s all-star album
![Joe Bonamassa [left] wears shades takes a solo on vintage Gibson Les Paul; B.B. King [right] wears a cream suit and takes a solo on a red Gibson ES-355 at the 1969 Newport Jazz Festival](https://cdn.mos.cms.futurecdn.net/fcHMzdytCgLhP6ivPZHUih-320-80.jpg)
By David Mead Published
B.B. King would have celebrated his 100th birthday in September last year. But when Joe Bonamassa discovered that the centenary was going almost unnoticed, he swung into action

By Henry Yates Published
The Final Countdown is one of rock's evergreen anthems, but Norum admits he thought it was “dreadful” at first

By Henry Yates Published
A slide master with a voice like life, the English bluesman hated the spotlight – and deserves notice beyond his perennial Christmas hit

By Henry Yates Published
The Ten Years After bassist survived Hamburg’s Star-Club, sparked the blues boom, achieved immortality at Woodstock – and is still going strong at 82. “Music,” he says, “it’s a drug…”
![Rick Parfitt [left] and Francis Rossi give their Telecasters a good thrashing during a 2010 live performance in Perth, Australia.](https://cdn.mos.cms.futurecdn.net/kUajqnE4SGm6cLFQRTgaEi-320-80.jpg)
By Jonathan Horsley Published
A decade on since Rick Parfitt's death, Rossi reveals how the Quo wasn't big enough for the both of them

By Matt Owen Published
Haynes had witnessed the King play live years earlier – but when he first got the chance to jam with the blues icon, nerves got the better of him

By Henry Yates Published
With a refreshed lineup, a new EP, and a boxset documenting the band's storied career, The Wedding Present founder/frontman Gedge and new guitarist Wood tell us why they're not afraid to bleed for their art – but they're not superglueing the wounds together

By Phil Weller Published
Vaughan wanted to watch his guitar hero play live for the first time – and another hero saved the day

By Henry Yates Published
The departed soul man was the Stax band’s MVP, writing and driving the R&B classics that ruled the ’60s

By Henry Yates Published
Boss's Matt Knight gives us the lowdown on the XS-1 and XS-100 Poly Shifter series, the pitch-shifting pedals that put the DigiTech Whammy on notice

By Henry Yates Published
DarWin guitarist Greg Howe and bassist Mohini Dey, plus the supergroup’s mysterious namesake, tell us about new album, Distorted Mirror, and how it is reinventing the concept album

By Jackson Maxwell Published
A staple of sporting events around the world, this keyboard-driven anthem was given a healthy dose of muscle by its skeptical guitarist, transforming it into a perfect-for-the-era, stadium-pleasing classic

By Henry Yates Published
Algerian desert rockers’ new release, Essam, fuses electronica with fuzzbox vibes, political flashpoints and ancient poetry. Call it desert blues if you like – but they don’t

By Henry Yates Published
The not-so-gentle art of relic’ing has enjoyed a renaissance since its maligned roots in the mid-’90s. We asked scene godfather and Gibson Custom Shop guru Tom Murphy how the tide turned

By Janelle Borg Published
Ford was briefly reacquainted with her beloved Mockingbird when an auditionee rocked up to her studio with her stolen guitar

By Henry Yates Published
The amount of money changing hands for artist-owned guitars at auction is eye-watering. Amelia Walker of Christie's London explains what sells and who's buying – and whether it will last

By Henry Yates Published
The fabled upright acoustic bassist leaves us with a thousand tales of misadventure and an extraordinary body of music that weaves through the rock ’n’ roll era

By Henry Yates Published
Grave illness and a broken heart have tested Stephen Dale Petit – but the bluesman tells us that completing his Clapton-bolstered masterpiece, Be The Love, is all that matters

By Phil Weller Published
They’ve forged a close friendship over the years, but getting Slowhand to play an “insane” solo on his record wasn’t easy

By Janelle Borg Published
Knopfler is forever linked to the Fender Strat – however, to successfully convey the emotional weight required on Brothers in Arms, his tech pushed him towards Gibsons
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