Latest articles by Joel McIver
20 metal bassists who took heavy bass playing in new directions
Featuring metal’s leading low-enders – from old-school thrash to modern metal
Geezer Butler names his favorite bassist of all time
His basslines with Black Sabbath are iconic, but Geezer Butler’s still a fan with his own four-string idols
How Jaco's 1962 Jazz Bass – the so-called Bass Of Doom – eventually came back to the Pastorius family
Stolen in 1982, the bass vanished from the public eye until 2006 when it resurfaced in a New York music store
That time Rage Against the Machine's Tim Commerford injected himself with steroids then set himself on fire
The RATM bassist went all out for Future User’s Mountain Lion video – which also features a cameo by Lance Armstrong
When he joined the Rolling Stones, Darryl Jones had to change the way he approached classic Bill Wyman basslines
The Rolling Stones bassist Darryl Jones looks back on joining the fold in 1993
If you play funk, you owe Bootsy Collins – the bass legend who played with James Brown
Bootsy Collins is a legend not just for his interstellar bass playing, but also for his star-shaped bass guitars
“If you can handle the fanned frets, this is a bass you’ll cherish for decades”: Dingwall John Taylor Signature review
After playing a custom Dingwall live with Duran Duran, John Taylor has launched his production model, loaded with a new bridge design, a Rupert Neve Design preamp to die for and a monster tonal range
“I bought a right-handed Hofner, re-strung it and learned to play like a lefty, which was a nightmare”: How The Bootleg Beatles’ Steve White became a carbon-copy Paul McCartney
Think you can play a bit like Sir Paul? It’s not as easy as you think, says Bootleg Beatles bassist Steve White
“John Lydon once made a stab at poaching Flea for Public Image. At which point Flea keeled over and passed out”: Anthony Kiedis takes a nostalgic look back at Flea’s finest hour from Blood Sugar Sex Magik
Flea’s reputation as a killer bass player almost saw him lured away from the Red Hot Chili Peppers
“On four-strings you have to jump to get the second octave, but on the five-string it’s right there”: Mohini Dey reflects on her switch to five-string basses – and the advice her dad gave her about Jaco
Mohini Dey has achieved more with the bass guitar than most of us achieve in a lifetime. And she’s only just getting started
“Randy Rhoads trusted me. He put his reputation with Sharon and Ozzy on the line to bring me in”: Rudy Sarzo talks Quiet Riot, Ozzy Osbourne and reshaping his bass tone for Whitesnake
With his work covering six decades of music, Rudy Sarzo has seen things we wouldn’t believe, from the world’s biggest stages to the darkest of tour buses
“Don’t sell your first bass. Even if you never play it again, in later life you’ll wish you still had it”: With a stage name coined by Bootsy Collins, Freekbass names the one bass that “like an idiot” he ended up selling
Chris ‘Freekbass’ Sherman on how a Rickenbacker and a BC Rich (via Tiran Porter from the Doobie Brothers) set him on a lifelong low-end path
“Slap bass has that metallic sound, like a hammer. If you played bass with a pick it wouldn’t sound the same. Actually, I did that on Epic”: How Billy Gould crafted his driving bass tone on Faith No More’s biggest hits
Billy Gould’s funk bass leanings powered We Care A Lot and Epic by San Francisco rockers Faith No More
“If I had tried to be another Ron Carter I would have failed. I don’t think that’s what Miles was looking for”: Dave Holland on the making of Miles Davis’ Bitches Brew
Few jazz bassists can match the pedigree of Dave Holland, thanks to his work with Miles Davis, Stan Getz, Chick Corea and just about everyone else
“As the bass player in a guitar-driven band, I don’t need to be in the spotlight. I don’t need to do any more than just rock out”: Troy Sanders on the perils and pleasures of playing bass in Mastodon
According to Troy Sanders, when it comes to laying down the bass parts in Mastodon, restraint is the key
“Am I a good bassist? I’m a f**king good bassist!” Sting on bass playing, Cream and his “battered looking” P-Bass
From the Bass Player Archive: An interview with Sting
“I hate punching in. If you don’t have your bassline down, you shouldn’t be doing what you’re doing”: Rex Brown reveals the tricks behind his super-heavy bass technique
Pantera bassist Rex Brown on his precision-engineered picking technique, and why he’s not into “bouncing around with Pro Tools”
“You could play a one-string bass with a pick and still create amazing music”: Billy Sheehan disputes his reputation as “an overplaying icon of lead bass”
For Mr Big and Sons Of Apollo bassist Billy Sheehan, there’s more to playing rock bass than mere mechanics
“Bass should stand on its own. It’s as powerful as the guitar”: Conrad Lant on his disdain for Ampeg SVTs and how he bought Andy Fraser’s Gibson EB-3 for £50 – “It was the exact one he played on All Right Now!”
Venom, the original black metal band, have been invoking Old Nick since 1981. On the bass, meet Conrad Lant – ‘Cronos’ to the (black) masses
“We were auditioning for bass players, but most of the guys who came in were too good. One day I just said, ‘What if I play bass?’” Shavo Odadjian on why he switched from guitar to the bass
Shavo Odadjian holds down the low-end in System of a Down, America’s most uncategorisable band
“When you’re the bass player and it’s time for the solo, you go nuts, because you’ve been playing rhythm for everyone else for so long!” Tony Visconti on David Bowie’s The Man Who Sold The World
Spurred on by guitarist Mick Ronson, Tony Visconti’s bass playing ranged from the wildest of improvised runs to proto-heavy-metal support
“Lars said, ‘You’re not really used to this kind of music, are you?’” Les Claypool on his failed Metallica audition
According to James Hetfield, Les Claypool was “too good” for the thrash metal giants
Tech 21 SansAmp Street Driver 48 review – a new Frank Bello signature amp pedal that delivers the full range of the Anthrax bassist's tones, and then some
Yes, the monstrous drive tones are unmistakable, but this impressively versatile SansAmp unit is not only about unhinged distortion that will terrify your neighbour’s cat
