Neville Marten
In the late '70s and early '80s Neville worked for Selmer/Norlin as one of Gibson's UK guitar repairers, before joining CBS/Fender in the same role. He then moved to the fledgling Guitarist magazine as staff writer, rising to editor in 1986. He remained editor for 14 years before launching and editing Guitar Techniques magazine. Although now semi-retired he still works for both magazines. Neville has been a member of Marty Wilde's 'Wildcats' since 1983, and recorded his own album, The Blues Headlines, in 2019.
Latest articles by Neville Marten

By Damian Fanelli Published
Guitar World's Beatlemaniacs assemble for the deepest of deep dives into the recorded output of a pop-cultural icon and genius player to find that there was no one quite like George Harrison

By Phil Weller Published
Low says he played poorly during the impromptu jam, but he evidently impressed Hendrix enough to get a studio invite

By Matt Owen Published
The prolific session player joined Harrison for his 1991 tour of Japan, but it turns out he was rather low on the pecking order when the Beatles legend came to assembling his band

By Neville Marten Published
A niche brand, loved by the likes of Bernard Sumner, Shergold is enjoying a new lease of life with a little help from Patrick James Eggle

By Neville Marten Published
An original British guitar model – beloved of leftfielders like Bernard Sumner and Julian Cope – updated, modernized, and punching well above its new, lowly price point

By Neville Marten Published
The working musician’s hollowbody designed to handle most popular styles but retaining that unmistakably cool Gretsch vibe

By Dave Burrluck Published
Along with its high-profile limited-edition releases, Gibson continues to consider the working musician, as this pair illustrates: two new additions that couldn’t be more different!

By Neville Marten Published
Gilmour says it’s his best since 1973. It’s a solo work but was borne of collaboration. But it might just be the guitar album of the year, and we go track-by-track to parse its brilliance

By Neville Marten Published
If there’s a cooler high-end electric 12-string on the market today we haven't seen it...

By Neville Marten Published
When you play the best guitar amp of your life but know you can never own it, how do you move on? We speak to Mick Taylor and Daniel Steinhardt of That Pedal Show about their tussle with Robben Ford’s Dumble

By Jenna Scaramanga Published
We asked, you voted, and the results are in, with a top 20 covers list featuring Guns N' Roses, Aretha Franklin, SRV and Joe Bonamassa. But who was voted number one?

By Neville Marten Published
Epiphone’s collaborations with the Gibson Custom Shop continue unabated, this time with two of the latter’s most prized top-end models but built in Qingdao, China

By Neville Marten Published
To celebrate yet another anniversary for Fender’s world-beating 1954 design, the company has thrown everything it knows about building great Strats into the melting pot

By Neville Marten Published
How the King of the Blues heard his calling, found a guitar, and developed a style that made him the undisputed greatest of all time

By Ellie Rogers Published
From Son House to Eric Gales, John Lee Hooker to Albert Collins, these classics highlight how blues guitar has changed over the years – its stories, tones and techniques all passed down and reinvented

By Neville Marten Published
The debate surrounding the effect of weight on electric guitars and tone is long-running and often divisive. Our panel of experts, er, weigh in

By Neville Marten Published
Two of Gibson’s most controversial designs, reimagined and rebranded with Epiphone’s moniker. Do they promise the ‘Cream’ of the crop or a ‘Winter’ of discontent?

By Neville Marten Published
Epiphone’s collaboration with blues maestro Joe Bonamassa continues unabated, with this sexy take on one of JoBo’s own favourite axes. But is a grand and a half just too grand?

By Neville Marten Published
Following the success of Fender’s Acoustasonic series come two somewhat more traditional-looking electros. Packed with Fender/Fishman innovation, could they be even cooler?

By Neville Marten Published
As the Stones return with Hackney Diamonds, we asked you for your favorite riffs from Keith Richards and friends. Here they are – plus the story of how they were created

By Neville Marten Published
The original 2019 Fender Vintera models offered a fine and affordable snapshot of Fenders from a particular ‘vintage era’. So, what do the Mk II class of 2023 Vinteras bring to the table?

By Neville Marten Published
A century and a half after the seeds of Epiphone were sown, we’re looking at four milestone reissues from the company’s heyday. And, best of all, they won’t break the bank

By Jamie Dickson Published
From playing Eric Clapton’s Strats to narrowly avoiding knocking out Slash, Guitarist editors past and present share their favourite – and sometimes most embarrassing – memories of working for the esteemed UK publication

By Neville Marten Published
Time has mellowed the wrath of the detractors and reinforced the joy of the believers in a range that divided opinion when first released in the early ’70s – and now it’s back with authentic CuNiFe humbuckers
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