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By Andrew Daly Published
The British silverbacks banned “egos and arguments” – but anything else goes on a head-to-head album that keeps the prog fires burning

By Jacob Paul Nielsen Published
After rescuing her backstage, Protomartyr befriended Kelley Deal and drafted her as a touring member. Ahee looks back on that incident and declares his love of P-90s

By Andrew Daly Published
He recalls making way for Doyle Wolfgang von Frankenstein, what Glenn Danzig was really like, the songs he wishes he’d recorded, and the problem with his Gibson Explorer

By Nick Wells Published
Having already transformed bass design with Stuart Spector, Ned Steinberger turned his attention to eliminating the headstock altogether – only to discover that Les Paul had beaten him to it

By David Konow Published
Billie Joe Armstrong’s legendary modded Marshall emerged from a tone lineage that spans Eddie Van Halen, Metallica and Steve Lukather

By Andrew Daly Published
The hit-making guitarist, who once hoped to share a twin-guitar team with Darius Rucker, still leans on the cherry Les Paul Standard from the Cracked Rear View days, and still pines for his stolen Mesa/Boogie...

By Jonathan Horsley Published
From The Archive Atkins was one of the greatest of all time and yet he was never satisfied. We guitar players can be too hard on ourselves
![Carlos Alomar shreds on a pink Superstrat [left]. Paul McCartney poses with a Goldtop.](https://cdn.mos.cms.futurecdn.net/vWJAGkGgeMbMB4YUpVDcR8-320-80.jpg)
By Andrew Daly Published
Bowie favorite Carlos Alomar on how to bond with ex-Beatles – and the making of Paul McCartney’s 1986 album, Press to Play

By Dan Bradley Published
If you’ve hankered for the unvarnished, beautiful acoustic sounds of the ’60s British folk scene, you really need to check out Sam Grassie, one of the most authentic, beguiling folk guitar talents we’ve heard in a long time
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