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Bootsy Collins was tripping on LSD when he took the James Brown bass chair to its most in-your-face level
By Nick Wells published
Unable to deal with Brown’s disciplinary code, Bootsy was gone within a year

“I put it on a stand at a guitar show, with no strategy. And it changed everything”: How relic’ing conquered the guitar world
By Henry Yates published
The not-so-gentle art of relic’ing has enjoyed a renaissance since its maligned roots in the mid-’90s. We asked scene godfather and Gibson Custom Shop guru Tom Murphy how the tide turned

Nuno Bettencourt on turning down Ozzy, Sabbath’s final show and how Extreme finally got their dues
By Andrew Daly published
Having torn up the rulebook and raised the bar once again for lead guitar, Nuno Bettencourt promises no let up – he’s out for blood again

“They stole our name – Jon Bon Jovi and Richie Sambora were listening to our records”: The tale of the original Irish Skid Row
By Andrew Daly published
Bassist Brush Shiels looks back on his lifelong friendship with Moore, why he won’t sue the American hair metal band, and how Peter Green was responsible for their first album sounding so bad

How the bass guitar became a crucial part of Sheryl Crow’s songwriting process
By Chris Jisi published
Already a Grammy-winning, global pop star, Sheryl Crow geeks out on bass for all the right reasons

Paul Reed Smith on how he built his brand, secret PRS players – and why the internet is wrong about tonewood
By Amit Sharma published
Once the guitar brand for the one percent, the smash-hit success of the SE line took PRS Guitars mainstream, but for Smith, it’s still about trying to raise the bar and find new sounds
![Heart's Ann [left] and Nancy Wilson pictured in 1985. Nancy is holding her Gibson Les Paul Custom](https://cdn.mos.cms.futurecdn.net/P6HXpqzcZihm3WmjRcBJXc-320-80.jpg)
Nancy Wilson knew Heart had to adapt to survive the excesses of the 1980s – but she didn’t expect their greatest success
By Mark McStea published
Heart's self-titled 1985 album was just what the doctor ordered, ushering in a triumphant second act for the iconic Seattle rockers

The irresistible rise of the signature guitar company, as explained by Ola Englund
By Amit Sharma published
With more artist products available now than ever before, and an entire movement of brands run and owned by musicians, we investigate the evolution of signature guitar gear with a little help from the Solar Guitars founder

Henry Paul on opening for The Rolling Stones, finding fame thanks to Lynyrd Skynyrd, and his one-of-one red Gretsch Falcon
By Naomi Baker published
The Gibson loyalist who’s served three stints with the Outlaws has been there, done that – played to stadium crowds, seen rock's greatest guitar heroes up close and witnessed prime-era Keith Moon debauchery
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