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Troy Van Leeuwen on turning his Custom Shop 12-string into a Squier signature, and channeling Robert Fripp
By Amit Sharma Published
The alt-rock chameleon explains how his new Paranormal XII Telecaster fits into the Queens of the Stone Age sound, and why the band are stripping things way back on their new record

George Harrison on how Eric Clapton saved his Beatles classic
By Matt Owen Published
Harrison’s bandmates weren’t bothered. The song was stalling. Then a spur-of-the-moment decision changed its fortunes and gave birth to a Beatles hit

Marty Friedman’s 12 favorite guitar collaborations from his Japanese variety show channel
By Andrew Daly Published
The ex-Megadeth guitarist has played alongside stellar guitarists from across the globe on Rock Fujiyama

Johnny Marr’s most iconic guitars, the stories behind them – and why he’s selling them now
By Jamie Dickson Published
We get a guided tour of The Smiths guitar icon’s most famous instruments just before they go under the hammer

Alt-rock nomad Emma Ruth Rundle on channeling Smashing Pumpkins, her nylon-string awakening, and what made her sell her beloved Gibson SG
By Dan Bradley Published
The Portland alt-rock polymath returns to the full-band format for new album These Killing Times. She explains why she’s making uplifting, empowering music in a difficult era, and names the rare baritone she’ll never part with

Dave Mustaine’s life in guitars – how the Megadeth main man weaponized the Flying V
By Andrew Daly Published
From B.C. Rich to Jackson King Vs and and his current range of signature Flying Vs, we chart the evolution of Mustaine's guitar arsenal

How Bootsy Collins and his James Brown alumni brought the J.B.’s back to life for the Superbad soundtrack
By Nick Wells Published
With guitarist Lyle Workman at the helm, Bootsy Collins reunited with the J.B.’s for the 2007 Superbad soundtrack

How Lindsay Lou, Molly Tuttle and an all-star cast united to uncover the women behind bluegrass’ biggest songs
By Cheri Amour Published
After discovering women had written many of the standards she’d grown up singing, Lindsay Lou went digging into history. What she found inspired a four-day Nashville session – and a record designed to put the mothers of bluegrass back in the room

Marcus King on his new signature Epiphone acoustic, playing Tiger, and his brotherhood with Brent Hinds
By Andrew Daly Published
The El Dorado is based on his first-ever guitar, which he thought he’d never see again but came back to him. And while he’s at it, he has thoughts on a signature Marshall amp – but will it happen?

Mark Holcomb on how Periphery harnesses super-heavy guitars for a super-heavy album that takes djent to a dark place
By Joe Bosso Published
After burning the playbook and facing his demons on Periphery’s jet-black new concept album, A Pale White Dot, Holcomb tells us he owes a big apology to his guitar tech
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