There are two unique versions of the Fender Telecaster Custom. The first appeared in catalogues from 1959 and was intended as an upmarket alternative to the regular Telecaster.
With its “custom treatment of the body” – including a three-tone sunburst finish over alder along with top and back binding – it stood apart from the standard ash-bodied Telecaster’s more austere blonde finish. However, with the same pickups, electronics and hardware, both models function identically as instruments.
During the late 60s and early 70s, Fender experienced a creative boom and began to experiment further using the Telecaster as a hotbed for new ideas. Subsequently, in 1968, the semi-acoustic Telecaster Thinline was released, along with the short-lived flower power-inspired Paisley Red and Blue Flower Telecasters. The following year saw the introduction of the George Harrison-endorsed Rosewood Telecaster.
This spirit of innovation continued into the next decade and in 1971, following Fender’s recruitment of Seth Lover – the inventor of Gibson’s fabled PAF humbucker – the Telecaster Thinline was endowed with a pair of Seth’s new ‘wide-range’ humbuckers in place of conventional single-coil Tele pickups for a completely new sound.
Telecaster Custom released; front/back body binding; sunburst finish standard
Original Telecaster Custom (model number 11-1400) discontinued
New version (model number 11-0700) appears; 1x wide-range humbucker (front)
• January 1973
Debut list price $315; sunburst finish standard; rosewood fretboard or fretted maple neck
6x individually adjustable bridge saddles replace 3x twin saddles
Serial number relocates from neckplate to front of headstock
Black Strat-style knobs replace black metal cap Gibson-style knobs
• September 1980
Final list price $675; choice of standard finishes in Black, Natural, Wine or Tobacco Sunburst
Dropped from Fender price list
As inspired as Fender was to implement these new designs, the early 70s also marked the end of the road for some models due to underwhelming sales. Thus, in 1970 the single-pickup Esquire and Esquire Custom models were dropped from the line (having been in production since 1950 and 1959 respectively), followed by the Rosewood Telecaster in 1972.
That same year, the original Telecaster Custom model also ceased production and a markedly different design took its place with the same moniker. Featuring a regular Tele bridge pickup and a wide-range humbucker in the neck position, and Gibson-style controls, the revamped Telecaster Custom appeared distinct not only from its predecessor but also from the rest of the Tele range, both in terms of form and function.
Replacing the single-coil neck pickup of a Telecaster with a humbucker was a popular modification at the time as many players felt they lacked usability, particularly in the ever more popular world of hard rock. Fender’s ‘official’ acknowledgment of such preferences in the form of the Telecaster Custom and the top-of-the-range dual wide-range humbucker Telecaster Deluxe (released in 1973) were obvious steps into Gibson territory in a bid to cover ground on both sides of the Fender/Gibson divide.
Due to its association with Keith Richards, the Custom is perhaps the most prominently successful of the wide-range humbucker Teles, though none were ultimately considered a great success; it was discontinued in 1981 along with the Deluxe, following the Thinline’s demise in 1979.
Throughout its production, the 70s Telecaster Custom changed relatively little in terms of design. Much like its previous namesake model it was originally available in a sunburst finish as standard along with custom colour options.
These were initially limited to a choice of four – Blond, Black, Natural and Walnut – although by late 1977, following the phasing out of custom colours in the middle of that decade, a larger choice of standard finishes were offered – including Sunburst, Blond, White, Black, Natural, Walnut, Antigua and Wine. By 1980, this had been significantly reduced to a choice of either Black, Natural, Wine or Tobacco Sunburst.
- Guitarist would like to thank Adrian Hornbrook.