Features Guitar Techniques Download and stream the audio from Guitar Techniques 350 By Guitar Techniques published 21 June 2023 All of the videos, backing tracks and audio from issue 350 of Guitar Techniques, to download and stream Page 7 of 7: Page 7 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Jump To: ACOUSTIC TASTY SOLOING ACOUSTICNICKEL CREEK STYLE ACOUSTIC GUITAR BY STUART RYANVideo performance:Transcription:TASTY SOLOINGTASTY SOLOING - MATT SCHOFIELD STYLE! (ANDY JONES, LCCM)Example 1:Example 2: Example 3: Example 4: Example 5: Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsorsExample 6: 1 2 3 4 5 6 7 Current page: Guitar Techniques Issue 350 Prev Page Guitar Techniques Issue 350 Guitar TechniquesSocial Links Navigation More features“Unlearning our instruments is definitely something we’ve done – we don’t rely on fretboard technique”: BIG|BRAVE conjure some of today’s most thrilling guitar tones with feedback, open tunings and an awful lot of volumeBoss Katana:Go vs Fender Mustang Micro: which headphone amp is right for you?LatestExercises for bass: 5 ways to improve your bass guitar techniqueSee more latest ► Most Popular“There’s an early No Doubt song which might as well be full-on heavy metal, if you want to hear Gwen singing for Black Sabbath. And there’s an absolutely shredding solo!” No Doubt’s Tom Dumont names 10 guitarists (and one genre) that shaped his sound“I was trying to do the ultimate guitar solo”: Lou Reed once recorded a double album consisting solely of guitar feedback – but his label took it off sale after three weeks“The bouncers wouldn’t let the audience stand up. That frustrated me to the point that I destroyed my bass guitar”: The Clash's Paul Simonon reflects on that iconic London Calling moment“They probably only made two or three of them, but there’s a signature Burns Chris Stein Scorpion out there somewhere”: Ahead of a new Blondie album, Chris Stein talks folk and jazz influences, fighting with early effects, and his MIDI future“Keyboards started coming up a lot more, and so there was a little more of a fight for space with the guitar”: Alex Lifeson looks back on the difficult creation of Rush’s 1984 classic, Grace Under Pressure“I used to write solos, but there’s a lot of beauty in a more spontaneous take – even an old, known pattern that falls in a different place than usual”: Matheus Canteri is shamelessly blending country with shred – and it’s working“Guys would come up and tell me, ‘I can play such-and-such a Tower of Power song note-for-note.’ But who cares?” The magic of Rocco Prestia’s bassline on Tower of Power’s Only So Much Oil in the Ground“From 1993 to 2004 those amps were over half of our business”: How the Mesa/Boogie Dual Rectifier defined the high-gain guitar sound of the 1990s“Ronnie gave me great advice about building a guitar solo... left to my own devices, it would have been a case of how many notes I could fit in!”: Vivian Campbell looks back on the 1984 Dio classic The Last In Line“I swear that guitar plays itself… Who’d have thought a 16-year-old girl like me could suddenly have this crazy connection with Jerry Garcia?” Meet Bella Rayne, the guitarist who jumped from Mom’s Strat to wielding Garcia’s ’Gator onstageEverything you need to know about fretwraps: what are they and do you need one?
