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PLAY BETTER SOLOS! BY JON BISHOP

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Current page: Guitar Techniques Issue 358

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Ginger Pooley

“My friend called me: ‘You won’t believe this, and it’s probably not gonna happen, but I gave Billy Corgan your number. He might call you, he might not…’” Ginger Pooley reflects on her time with the Smashing Pumpkins – and why she had to give it up

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“Unlearning our instruments is definitely something we’ve done – we don’t rely on fretboard technique”: BIG|BRAVE conjure some of today’s most thrilling guitar tones with feedback, open tunings and an awful lot of volume

Boss Katana:Go vs Fender Mustang Micro: which headphone amp is right for you?

“I’ve never been a shredder. I’m never going to out-do Yngwie Malmsteen. I’m more from the Schenker and Blackmore school”: Judas Priest’s Richie Faulkner on the secret to headbanger riffs, and half-nailing, half-blagging the Painkiller solo

“Paul Reed Smith wanted to do something, but I had to explain it was my dream as a kid to have an Ibanez signature. Paul said he’d do anything to make it happen”: Herman Li on his switch to PRS – and the perils of shredding on waterslides

“Robert had a plan laid out that we would do three records in three years”: Adrian Belew on how King Crimson made an underrated prog classic in “this industrial musical junkyard we created”

“You couldn’t sell them and you wouldn’t want to sell them because they’d be just too hard to say goodbye to”: Mark Knopfler on the guitars he couldn't bear to part with, and the six-strings that surprised him on One Deep River

“The Ford Motor Company had created a color called ‘Daisy Pink’ especially for his aunt. She was famous in her own right and had the paint sent to Fender”: Meet 9 of Fender’s most elusive offset guitars

“Technically, he was such a gifted and bluesy player. I’m not a really good soloist – but I know how to sit down, learn, and get work done”: Jakob Nowell, son of Sublime’s Bradley, is picking up his late dad’s guitar to reunite the band and the family

“There’s an early No Doubt song which might as well be full-on heavy metal, if you want to hear Gwen singing for Black Sabbath. And there’s an absolutely shredding solo!” No Doubt’s Tom Dumont names 10 guitarists (and one genre) that shaped his sound

“I was trying to do the ultimate guitar solo”: Lou Reed once recorded a double album consisting solely of guitar feedback – but his label took it off sale after three weeks

“The bouncers wouldn’t let the audience stand up. That frustrated me to the point that I destroyed my bass guitar”: The Clash's Paul Simonon reflects on that iconic London Calling moment