Download and stream the audio from Guitar Techniques 359

Page 3 of 7:

Page 3

Jump To:

VIDEO MASTERCLASS
VIDEO MASTERCLASS

VIDEO MASTERCLASS

MARTIN MILLER MASTERCLASS

1
2
3
4
5
6
7

Current page: Guitar Techniques Issue 359

Prev Page Guitar Techniques Issue 359 Next Page Guitar Techniques Issue 359

Latest

“A mechanical riff so crushingly heavy that it will give you the bends”: April 2024 Guitar World editors' picks

See more latest ►

“When I recorded with Jason Becker, he was still able to speak… he articulated exactly what he wanted, down to every pinch harmonic, vibrato and out-of-tune note”: Shrapnel veteran Michael Lee Firkins reflects on the final days of shred

“In the ’80s, I was very much into playing fast and wanting to be the best. Later on I realized it was just a waste of time”: Europe’s John Norum on the one guitar he kept from the Final Countdown era, and what he learned from Don Dokken

“Sometimes I make the bassline too complex and too noodly, but Thom is good at putting the brakes on that”: How Colin Greenwood came up with his deceptive stop-start bassline on Radiohead’s Airbag

“The whole audience’s heads snap and look at the stage, and I go, ‘Oh my God, I can't forget this riff’”: Randy Bachman on how a broken string inspired his iconic American Woman guitar riff

“It made me realize how grateful I am to have the guitar in my life”: I applied to be the new Smashing Pumpkins guitarist – I didn’t get the gig, but it was one of the most life-affirming experiences of my musical career

“When I first played Jump for the guys nobody wanted anything to do with it. Dave said I was a guitar hero and I shouldn’t be playing keyboards”: The story of Van Halen’s 1984 – the Flying V, the synths and the end of the David Lee Roth era

“I try to score Tommy Shelby’s inner voice with my guitar. I’d play with a bow or hit the strings with the guitar on the ground, all sorts of weird stuff”: How Anna Calvi threw out the guitar rulebook to write the Peaky Blinders score

“I was all about Eddie Van Halen and George Lynch. But John Sykes really got me – he changed my world through his tone and vibrato”: How Fozzy’s Rich Ward took a shred attitude and funk-metal mindset to invent Stuck Mojo

10 legendary blues guitars, from Lucille to Lucy and the ‘Loch Ness Monster of Les Pauls’ – a priceless Gibson that has been missing for more than 50 years

Flatwound vs roundwound bass strings: What’s the difference?

“Ace Frehley is very good at creating a song within a song when it comes to solos, and I've always thought along those lines”: Rock City Machine Co. went from KISS Army to KISS collaborators. Now they're going it alone.