February 2013 Guitar World Out Now: The Who's Greatest Years, Smashing Pumpkins, Readers Poll Results and More | Guitar World

The February 2013 issue of Guitar World is available now!

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Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

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Steve Stevens

“I was approached to join David Lee Roth’s band, initially… I didn’t want to be Eddie Van Halen part two”: Steve Stevens on laying down the Dirty Diana solo with Michael Jackson and Quincy Jones, recording Rebel Yell – and why Vai got it right with Roth

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“When we learn to improvise, the first thing we pay attention to is where to put our fingers… rarely do any of us pay attention to the rhythm of a melody or lick”: Can’t figure out why your improvised solos don’t feel right? Here’s how to fix them

“I played a 5-string with Lauryn Hill, but it didn’t feel like a real bass”: Raised on R&B, schooled by fusion, and empowered by punk rock, Bad Brains bassist Darryl Jenifer remains a 4-string purist

“Zoom discontinued that pedal because nobody bought it – but bass players are always coming up to me wanting to know how I got those sounds”: Remembering jazz great Victor Bailey, who used an unsung multi-FX pedal for his cover of Prince’s biggest hit

Proggy Pentatonic! How to Use the Good Ol’ Pentatonic Scale in Cool New Ways

“I had a hard time playing in tune. The producer stopped me and said, ‘George, tune up again.’ I didn’t realize the value of that until Breezin’ came out”: How George Benson landed a hit album by breaking the rules – and learning to play in tune

“Even though a Marshall sounded fantastic, I refused to play one. That’s my bad… I had a terrible sound for years”: Punk-grunge icon Donita Sparks on ironic gear choices, L7’s infamous Reading Festival set and why recording with Butch Vig was “maddening”

“I bought my ’54 Strat from the biggest dealer in Sweden – he was crying when I walked away with the guitar”: Brian May, Steve Vai and Neal Schon have all given Yngwie Malmsteen guitars – but nothing compares to his Fender Strats

“If there was ever a time to get off the rollercoaster, it was going to be at the top”: Being in a band is tough – just ask bassist Dirk Lance, who left Incubus at the peak of their powers

“Trying to emulate these different players was a challenge. Chris Poland to Marty Friedman is like night and day. But that’s what excites me”: Glen Drover grew up idolizing Megadeth and King Diamond’s guitar heroes – then he had to step into their shoes

“Many players think that the pickups are the main contributor to the way a guitar sounds… But if you change what the string does, that changes the guitar”: How Andy Powers rethought electric guitar design for the Powers Electric A-Type

“We made a handwritten tab book. I wanted to make some sort of DIY zine, and I had all these guitar solos from the EP that people were asking about”: Musical polymath Luna Li on blending harps with Fender Jaguars – and the art of arrangement