Latest Features
Made famous by David Gilmour, the Binson Echorec is a secret-recipe tool that helped define rock guitar tone
If you have even the most passing familiarity with Pink Floyd, you've heard an ethereal soundscape generated by the Binson Echorec. This is what it is, the unit's fascinating inner workings, and why it still matters
When Flea met Charlie Haden – and had much more in common than you might think
From the Bass Player Archive: An interview with a bona-fide rock star and a veteran jazz legend
How Oteil Burbridge set about replacing Phil Lesh to become Dead & Company’s new singing bass hero
Burbridge played with The Allman Brothers and Tedeschi Trucks Band before joining Dead & Company alongside guitarist John Mayer
He’s inspired by Buddy Guy, played EVH in a Van Halen tribute band and made his name in GA-20 – say hello to Pat Faherty's new power trio
Canyon Lights gives Faherty the opportunity to draw from all corners of his musical vocabulary but ask him what he wants as a player and he'll tell you it's all about Buddy Guy, 1970, and that touch and feel...
Get the most from your tube amp with the Orange Valve Tester MKII
Sponsor Content Created With Orange
Take care of your tubes, and your amp will take care of itself. Here's how simple regular testing and inspection can help keep your amp in road-ready condition
Rory Block left home as a teenager then met and impressed her blues heroes
She refined her skills with help from Skip James, John Hurt and Fred McDowell, wound up with a signature Martin guitar, and with advice from Maria Maulder, fought self-doubt to deliver new album Heavy on the Blues
Tom Petty wanted to turn a catchy riff into a much-needed hit. He didn't stop playing it until he did
Under pressure to follow up his multi-platinum breakthrough, Damn the Torpedoes, with another best-selling album, Petty wanted a lead single “that had a little lick from the beginning”. That lick proved to be a stubborn one
The lead single from Van Halen’s 1991 album with Sammy Hagar combines a thunderous bassline with a revved-up power drill
Michael Anthony’s 16th-note bass grooves remained as much a part of the “Van Hagar” sound as Eddie Van Halen’s guitar pyrotechnics
