Latest Features
Jason Sinay on jamming with Joe Bonamassa – and why his early sessions with Mike Campbell were a struggle
Session veteran recalls jamming with Neil Young, Keith Richards and Bob Weir – and why he thought he’d initially blown the gig with the Heartbreaker’s solo band
Is Toby Lee Britain’s next blues-rock superstar?
The Firebird-toting Blackstar endorsee's name has been mentioned ever since he recorded a track for B.B. King, aged 10. Here, he explains why he was always playing for keeps
Steven Wilson on his cosmic prog epic, expanding guitar's 21st century vocabulary, and lo-fi plugins
Wilson's new album is unlike anything he’s done before, a very proggy space odyssey that takes the listener on a journey to the outer reaches of the universe…
From Veruca Salt to Smashing Pumpkins and now Garbage, Nicole Fiorentino thrives on challenge
Traditionally a tube amp user, the Reverend Decision fan is hitting the Helix-powered stage with Shirley Manson and co., with in-ear monitors and no pedals – and delivering her own bass take on the band's classics
Wednesday 13 on getting his guitar confidence back, and the Murderdolls future that never happened
He always worried people would think he was fake, and began to suspect he couldn’t play. But as he reflects on his new album, Mid Death Crisis, Wednesday 13 is feeling good about returning to where he started
Billy Corgan on critics, tone secrets, and how he keeps Smashing Pumpkins fresh
Aghori Mhori Mei sees Corgan and co. finding a fresh perspective in revisiting gear and writing approaches from the past, and – “for a change!” says Corgan – fans and media alike are loving it
Andy Summers on the stylistic clashes and unexpected successes of his ‘80s collab with Robert Fripp
As Summers’ and Fripp’s avant-garde albums of the 80s are reissued, we hear all about how the side-project came to be – and whether it could happen again
Fred Tackett compares his gigs with Bob Dylan, Tom Waits, and Bob Seger, and recalls his friendship with Lowell George
The veteran session Strat-slinger who restarted Little Feat in the ‘80s discusses how he developed an essential studio skill, why brass is his main inspiration, and the best advice he ever heard
