Favorite Solos: Mark Nuñez (Associate Video Producer)

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1) Megadeth “Tornado of Souls” 2) Pantera “Cemetery Gates” 3) Michael Jackson “Beat It” 4) Mahavishnu Orchestra “Meeting of the Spirits” 5) Deep Purple “Highway Star”

Mark Nunez
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Left-Joe Satriani performs on the G3 Reunion Tour 2024 at Fox Theater on February 03, 2024 in Oakland, California; Right-Eddie Van Halen of Van Halen performs at Music Midtown at Piedmont Park on September 19, 2015 in Atlanta, Georgia. (Photo by )

“I don’t think I got the intro right until halfway into the tour. It felt so odd to my fingers”: Joe Satriani reveals the Eddie Van Halen guitar parts he found most difficult to play
Ozzy Osbourne (left) and Randy Rhoads perform at Nassau Coliseum in Uniondale, New York on August 14, 1981

“It's a dummy solo I laid down – I was supposed to put down a real one later. But I never got time”: Ozzy Osbourne's Diary of a Madman is a landmark guitar album, but some of its final parts made Randy Rhoads “cringe”
Extreme's Nuno Bettencourt plays a yellow and black striped EVH guitar next to Nerd Halen's Caleb Rapoport

“Unforgettable”: Nuno Bettencourt joins Van Halen tribute band for blazing Hot For Teacher cover
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Singer/bassist Thundercat performs at the 65th edition of the Newport Jazz Festival in Newport, Rhode Island, August 2, 2019.
“It’s got this Pink Floyd-ish tone that’s really open. I used it with Michael McDonald at the Hollywood Bowl”: Created by the Ibanez Custom Shop in L.A., Thundercat’s double-neck bass guitar has a 6-string on top and an 8-string on the bottom
Ozzy Osbourne (left) and Randy Rhoads perform at Nassau Coliseum in Uniondale, New York on August 14, 1981
“It's a dummy solo I laid down – I was supposed to put down a real one later. But I never got time”: Ozzy Osbourne's Diary of a Madman is a landmark guitar album, but some of its final parts made Randy Rhoads “cringe”
TV Jones
“I played Brian Setzer’s personal guitars – the pickups give you more dynamic control. I thought, ‘I have to recreate this!’” How TV Jones revived That Great Gretsch Sound – despite being an underdog in the pickup world
Charlie Cunningham
“I used to give myself a hard time about imperfections – the challenge now is finding out what makes it human”: Guitarists need to change their approach in the face of AI. Just ask Charlie Cunningham, the acoustic virtuoso fusing Meshuggah and fingerstyle
Buck Dharma of Blue Öyster Cult plays his white Gibson SG onstage. He wears all white. The image is black-and-white.
“I was this short guy playing through a full stack, and the speakers were five feet from my head. It’s a miracle I can hear anything”: Buck Dharma on the Blue Öyster Cult story, his Gibson SG heroes, and what he really thinks of that SNL sketch
Bilmuri
“Country players don’t get as much credit as the prog guys. Shining a light on how cool country guitar can be was important to me”: Bilmuri are fusing metalcore and country using Strats, ‘fighter jet’ solos and tone tips from Sleep Token
Captain Beefheart performs onstage with The Magic Band at The Concertgebouw, Amsterdam on April 8, 1972
“He would beat the crap out of the guitar. The result can best be described as Jackson Pollock trying to play like John Lee Hooker”: Aggressively bizarre, Captain Beefheart's Trout Mask Replica remains one of the craziest guitar-driven albums ever made
Randy Resnick
“In the end, I did it too much – I was a one-trick pony! EVH brought that fire to the guitar”: He was an early two-hand tapping pioneer and one of John Mayall’s favorite guitarists, but Randy Resnick doesn’t consider himself an influential figure
George Harrison, suited, booted, in the Fab Four's trademark mop-top hairstyle, plays a Gretsch live onstage in South Australia with the Beatles in 1964.
“If we had tried to plan it, it would’ve never happened. The thing happened just by magic”: From Beatlemania to All Things Must Pass and beyond – the definitive guitar history of George Harrison's greatest recorded works
Nigel Tufnel (left) and Joe Satriani perform onstage
“He was very frightened, mostly from the volume. My new amplifiers now go to infinity, and I think that idea was very scary to him”: Nigel Tufnel had plenty of volume when he jammed with Joe Satriani, but “couldn't fathom” what the guitar hero was doing