Review: Samick Greg Bennett-Designed USA Series Royale

These videos are bonus content related to the January 2012 issue of Guitar World. For full print reviews, lesson tabs and more, look for theJanuary 2012 issue of Guitar World on newsstands now, or purchase this issue in our online store here.

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Paul Riario has been the tech/gear editor and online video presence for Guitar World for over 25 years. Paul is one of the few gear editors who has actually played and owned nearly all the original gear that most guitarists wax poetically about, and has survived this long by knowing every useless musical tidbit of classic rock, new wave, hair metal, grunge, and alternative genres. When Paul is not riding his road bike at any given moment, he remains a working musician, playing in two bands called SuperTrans Am and Radio Nashville.

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Keith Richards (left) and Bill Wyman onstage at the O2 Arena in London on November 25, 2012

“It was just full of guitars, and there was no air in it. No spaces, no gaps”: Bill Wyman reunited with his old Rolling Stones bandmates on their Hackney Diamonds album, but didn't like the track he played on

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“We made a handwritten tab book. I wanted to make some sort of DIY zine, and I had all these guitar solos from the EP that people were asking about”: Musical polymath Luna Li on blending harps with Fender Jaguars – and the art of arrangement

“I remember watching Jimi when I was younger, while he was in the room with me. I’d have my social studies book, but I was listening and watching him”: Ernie Isley lived with Jimi Hendrix – then took his place to write hit after hit in his brothers’ band

“We wanted to carry the torch of the guitar duo – Friedman/Becker, Gilbert/Bouillet – and pay homage to the golden era of shred guitar”: YouTube virtuosos Pete & Vinnie Play started with Racer X covers – now they’ve released their own classic shred single

“I always liked bluegrass a lot because the tempo is a lot closer to a NOFX beat”: Meet the Bad Ups, the Philadelphia punks inspired by country-and-western, reggae and Chet Atkins

“David Ellefson told me, ‘You got the gig. Oh and by the way, Dave told me to tell you that you played many of the wrong guitar parts’”: Marty Friedman tells the inside story of his auditions with Ozzy Osbourne and Madonna – and landing the Megadeth gig

“I don’t like brand-new guitars. I’ll see a new guitar and I’m like, ‘That’s gonna look good after I drag it across the driveway’”: Alter Bridge’s Myles Kennedy spills his tone (and drop tuning) secrets

“We have no problem with sampling. If it hadn’t been for that you probably wouldn’t be interviewing us today”: Cymande bassist Steve Scipio on how the funk pioneers were almost buried before crate diggers like De La Soul and the Fugees brought them back

“Delay isn’t something you really think of when you think of an acoustic guitar, but it works quite well when you’re adding a top line to a loop”: How Yamaha evolved its TransAcoustic tech to create an acoustic guitar with an onboard delay and looper

“I don't look at the fingerboard, I listen to it. All of my fretless basses have no fret lines. I can't play on a lined fingerboard”: How Bakithi Kumalo’s swung, fretless bassline helped create one of Graceland’s defining sounds

“When I was growing up, everyone said, ‘Oh, bass is just a second guitar.’ Bull! It's an art, man!” How Matt Freeman became one of punk’s most iconic bassists – bringing bass solos, jazz band and Carole King to Rancid

“We try to schedule shows around school, and if we can’t, we’ll end up skipping… The band is our first priority”: The Linda Lindas are too punk-rock to stay in class – but they’re learning all the time

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