We all know a great lick when we hear one—Jimmy Page’s solo breaks in “Whole Lotta Love” and Mark Knopfler’s blistering triads in “Sultans of Swing,” for example.
Moments like these grab your attention and aurally brand your ears forever. Or, sometimes it acts more subliminally: You suddenly find yourself playing a certain lick over and over again, wondering, Where have I heard this before?
Through the years, these licks have evolved into a vocabulary for the guitar. And like great writers who are always able to find the right word to make a point, great guitarists always have that essential lick at their disposal to express, in the moment, what they’re feeling.
And whereas the best writers are able to string those words together to form remarkable prose, the best guitarists link their licks to form living, breathing, musical statements.
Regardless of what style music you play, it will do your ears and your chops good to go through each of these licks. Learn them, master them, and keep them on file for the next time you’re looking for just the right way to say what’s in your soul.
Today we bring you a handy lick in the style of the late Johnny Winter.
Origin: A blues guitarist who never seemed to get his due, Johnny Winter could absolutely shred—often with a sense of reckless abandon. In this moderately paced line, Winter borrows a harp lick from James Cotton.
Theory: The b7th (G) segues via a hip b5th and a passing #9th (B# [C]) to the root (A) on the downbeat of measure 2.
Playing Tip: The 1-1/2–step bend at the start of the lick requires a little extra oomph, but try to keep relaxed.
Lick 64 of 101