Ace Frehley's stage-used 1993 Gibson Les Paul heads to auction
Frehley is pictured holding the guitar – which was the basis of Gibson's Ace Frehley Signature Les Paul – on the September 1996 Kiss special issue of Guitar World
A 1993 Gibson Les Paul used and played extensively by Kiss's Ace Frehley is headed to the auction block.
Featuring a cherry sunburst finish and design customizations including an 'Ace' etching on the mother-of-pearl inlay at the twelfth fret, a planet etched into the mother-of-pearl truss rod plate on the headstock, and a 'Mighty Mouse' sticker on the back of the body, the guitar was the basis of Gibson's Ace Frehley Signature Les Paul.
Frehley also held the guitar – a part of RR's upcoming Marvels of Modern Music auction – on the cover of the September 1996 Kiss special issue of Guitar World, documenting the band's massive reunion tour.
The Les Paul features three DiMarzio humbucker pickups, pearloid tuners, a cream-colored pickguard, a standard rhythm/treble switch and four volume/tone knobs. The back of its headstock is signed with Frehley's name in silver ink, and features his trademark sketch of an Ace of Hearts.
The guitar also comes with its Gibson hardshell case, and is additionally accompanied by a certificate of authenticity signed by Frehley, and several images of Frehley playing the guitar.
Online bidding for The Marvels of Modern Music Auction has begun and will conclude Thursday, November 19. The current bid for the guitar is $9,572.
For more info on the auction, stop by RR Auction.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Jackson is an Associate Editor at GuitarWorld.com. He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player. Elsewhere, his album reviews and essays have appeared in Louder and Unrecorded. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.