Latest about Aerosmith
“It’s a great piece for your arsenal”: Joe Perry names his new favorite amp company
The firm may be relative newcomers on the scene, but the Aerosmith man says its amps are helping him get the most out of his pedals
Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”
As Aerosmith call time on their stellar 50-year touring career, Perry joins us to reflect on what he’s learned about guitar along the way – the tones that work, the tones that don't, and the invaluable lesson he learned from Keith Richards
Joe Perry names the desert-island pickup that nobody talks about and explains why there are no bad tones
Aerosmith and Hollywood Vampires’ swaggering six-stringer runs through his many exploits, leading a hundreds-strong collection of unique, vintage and always usable guitars
Joe Perry explains how he ditched his Les Pauls and Strats to write one of Aerosmith's best-known riffs
Perry had been eyeing the Fender Bass VI for quite some time – which turned out to be the perfect instrument to write 1976's Back in the Saddle
Joe Perry on why the age of the guitar hero might be over
Perry is confident there's more to explore on the fretboard and players will continue to push the boundaries of guitar music – but the individual feats of guitarists might not be viewed in quite the same way
Joe Perry on Aerosmith’s roaring ’70s, writing Dream On – and being a B.C. Rich early adopter
It was the season of light, it was the season of darkness, it was the ‘70s, the era of TV set defenestration, and Aerosmith got bigger, it began to fall apart. Here, Perry looks back on the decade that made them (and near broke them)
Tom Hamilton reflects on Aerosmith’s past challenges – and why they still have a future
Still finding inspiration, he explains how close the band came to missing out on Sweet Emotion, his near-grudge over Janie’s Got a Gun, why he was glad Joe Perry quit and the development of his video screen bass
Joe Perry on the one guitar he regrets selling
It's not a rare vintage instrument by any means, but for Perry, the sentimental value of the long-gone guitar is priceless
